Postgraduate FAQs
- Study
- Ask a student
- Cost of living
- Prospectuses
- Sign up to our pre-applicant newsletter
- Student blogs
- My Graduate Diploma experience
- Students and The Courtauld’s collection
- My experience as an international student
- Study trips at The Courtauld
- Making the most of your first year
- LGBTQIA+ Society at The Courtauld
- Using the Courtauld Gallery as a student
- Societies at The Courtauld
- Moving to University
- A week in the life of an MA student
- Working alongside your studies
- Studying Art History for the first time
- A week in the life of a BA student
- Vernon Square campus images
- Admissions Policy
- Tuition Fees
- Open days & tours
- Living in London
- Semester Dates
- Meet our students
- Student Accommodation
- International Students
- Careers & alumni
- Undergraduate Study
- Why does art history matter?
- BA History of Art – 2021 entry
- BA History of Art taster lectures
- Widening Participation
- What is art history?
- International Undergraduate Entry Requirements
- Undergraduate fees, funding & scholarships
- How to apply for the BA History of Art
- Undergraduate Applicant FAQs
- BA History of Art
- Postgraduate Study
- World-leading research
- CHASE AHRC
- Courtauld Postgraduate Scholarships
- PhD Programme
- Postgraduate fees, funding & scholarships
- MA Art History and Conservation of Buddhist Heritage
- How to apply for postgraduate programmes
- Postgraduate FAQs
- MA Conservation of Wall Paintings
- MA Conservation of Easel Paintings
- Graduate Diploma in the History of Art
- MA Curating the Art Museum
- MA History of Art
- The Sixties: Eccentric, Erotic, Psychotic
- Painters at Work: Material Reinventions of a Medium, 1945 to Now
- Black Futures. Reimagining Modernism after critical race
- Arts of Intimacy? Christians, Muslims and Jews in Medieval Iberia
- The Supernatural Middle Ages: Images of the Extraordinary
- Ekphrasis between Music and the Visual Arts: Appropriation, Remediation, and Reproduction c. 1870-2022
- Telling Stories: performing identities and histories in art (1970 to the present)
- Ecologies in American Art, 1950 to now
- Infrastructural imaginaries: Technology, ecology and futurity in contemporary Chinese and Sinophone art
- Byzantium and its Rivals: Art, Display and Cultural Identity in the Christian and Islamic Mediterranean
- Collecting and Curating the Modern: European Art 1863-1930
- Solidarity and its Discontents: East European Art in Times of Crisis
- Beyond Utopia: Soviet and Post-Soviet Art
- Beijing and Beyond: Art and Empire in Early Modern China
- Continuity and Innovation : Reframing Italian Renaissance Art from Masaccio to Michelangelo
- Circum-Atlantic Visual Culture c.1770-1830
- Modernism after Postmodernism: Twentieth Century Art and its Interpretation
- Miniature to Monumental: Encounters with Medieval Art
- Global Conceptualism: The Last Avant Garde or a New Beginning?
- Experiencing Modernism: Utopia, Politics, and Times of Turmoil
- Wordplay: Intersections between the verbal and the visual, c.1870 to the present
- Strolling Isfahan: Masters, Merchants and Monarchs
- New York-London-Paris, 1880-1940
- Reinterpreting the Object. Late Medieval and Renaissance Art in Northern Europe c. 1360-1520