MA History of Art

Experiencing Modernism: Utopia, Politics, and Times of Turmoil

Dr Robin Schuldenfrei

Burgeoning modern cities such as Berlin, in the early decades of the twentieth century, offered an unending supply of enchanting spaces, activities, and modes of dwelling—to an elite. The other face of modernity, the grim realities of mechanized factory life and substandard housing, is depicted in artworks and films such as Fritz Lang’s Metropolis. Against this backdrop of distinctive modern social stratification, this seminar will use a wide range of cultural objects—art, architecture, use-objects, interiors, film, fashion, print culture, and fiction—to interrogate the objectives and achievements of German modern architecture and design in the first half of the twentieth century.

Grounding our examination in Berlin, we will look at international modernism’s utopian ideals, expressed in fantastical architectural drawings and films that depicted gadget-filled interiors to tout the wonders of modern architecture, new housing blocks, institutions such as the Bauhaus, and the embracing of the aesthetic of machine culture in art. In the context of the rise of modern capitalism we will examine the aftermath of war and devastating financial crises; developments in conspicuous consumption, in terms of the rise of the store window and fashionable department stores; the shifting experience of the city, in light of modern surfaces; and the aura of the art object, in the face of reproduction.

Thus, this course asks: What influence did the culture of modernity—in spheres such as art, architecture, film, and fashion—exert on the city’s inhabitants, and vice versa? What were the effects of capital, production, and materials on modes of dwelling? What was modernism’s role in confirming or stabilizing social position, overcoming threats to the status quo, or revolutionizing society?

Throughout the course, London’s collections will be utilized to examine the era’s artefacts and participants may also undertake a group study trip to Berlin to examine the course’s themes in architecture, art, and design in situ. Using a wide range of primary and secondary literature, period theorists such as Siegfried Kracauer, Walter Benjamin, and Georg Simmel, as well as novels and the era’s popular journalism, the complexities of modern art and architecture will be examined in the context of period thought and experience.

Course Leader:

Dr Robin Schuldenfrei will be on research leave in 2023/24, and the option will be taught by another specialist in the field.

Please note: whilst many Special Options will include site visits within the UK and further afield, these are subject to confirmation.

Option Full MA History of Art

Special Options 2024/25

You can either make a general application for the MA, or you may indicate your preferred Special Option(s). Many applicants choose to make a general application for the MA in History of Art at the Courtauld. If you do this we will match your application to a Special Option that matches your interests and has space. Alternatively you may indicate your preference for up to three Special Options, tailoring personal statements in relation to each Special Option.

Our Special Options change from year to year as we seek to refresh and expand our offer.

We aim to confirm these at least twelve months in advance, and will always contact applicants immediately in rare instances where changes have to be made. In 2024/5 we are especially pleased to include new or returning Special Options, including Art and Empire in the Indian Ocean World, c.1800–1900, Architectural Legacies of Empire at Home and Abroad, c.1620- c.1920, Violent Materials: Art and War in the Early Modern World, ca. 1500–1800, Court and Commerce: Arts of Islam and the Great Mongol State, 1206-1368 and The Surrealist Century: Mediums, Madness, Magic and the Manifesto of Surrealism (1924).