MA History of Art

Continuity and Innovation : Reframing Italian Renaissance Art from Masaccio to Michelangelo

Dr Scott Nethersole and Dr Guido Rebecchini

This team-taught MA looks at Italian art from the fifteenth and sixteenth centuries. In order to enrich our understanding of the period, we will examine the visual arts in well-known centres, such as Florence, Rome and Venice. Our discussions on different art-historical narratives and on a broad range of themes such as authorship, originality, invention, and imitation will complicate our ideas about Italian renaissance art, allowing new and often unexpected insights into the works of both celebrated artists and of other figures who are less commonly considered in standard discussions of the period. Furthermore, by looking at the working practices and the visual languages of a range of artists, including Giovanni Bellini, Michelangelo, Raphael, Parmigianino, Giulio Romano, and Titian we will discuss issues of collaboration, competition, dissemination of visual ideas, and, more broadly, notions of change and continuity. We will approach the art of the period thematically, interrogating what has long constituted an art-historical canon in new ways, consistent with the most recent art-historical methodological and theoretical questions.

The course is structured across three terms. In the first term, there will be 20-24 students in the class and in the second and third term, you will be taught in smaller classes of around 7-9 students. In the first term you will learn together with all MA students in the Renaissance section.  These classes will be a mixture of lectures and discussions in a group of students with two tutors, and in smaller seminars directed at developing specific visual and textual skills. The second term will be focused on an in-depth engagement with specific special options. These change year on year, but generally focus on aspects of Florentine or central Italian art in the fifteenth century such as the life and work of Sandro Botticelli; the art of Rome between 1520 and 1550. Students only take one of these options which they select mid-way through the autumn term.  In the third term you will conduct research towards the final dissertation under close supervision, which will prepare you to conduct independent research at an advanced level, whether through a PhD or in a professional environment.

In encouraging discussion on intellectual and theoretical questions, we will learn through active engagement and discussion with tutors and peers. Special attention will be devoted to first-hand engagement with works of art, whether in London collections, or in our study trips to Italy, where possible.

A reading knowledge of Italian is highly desirable for this course.

Please note: site visits in the UK and further afield are subject to Covid-19 guidelines.

Course LeadersDr Scott Nethersole and Dr Guido Rebecchini

Dr Nethersole will be on research leave in the Autumn term, so parts of the course will be taught by another specialist in the field.

Accepting applications for waitlist places MA History of Art

Special Options 2022/23

Please Note: Special Options vary from year to year and are subject to demand. The Courtauld reserves the right to amend or withdraw the options which run if necessary, and will always directly inform all applicants of any changes via email and our website.