...Aviva Burnstock Professor of Conservation Pippa Balch Lecturer, Conservation and Technology Graeme Barraclough Chief Conservator Maureen Cross Lecturer, Conservation and
...Restoration of Paintings (1999) Bomford, D.:Issues in the Conservation of Paintings (2005 Getty Publications) Price, M. Talley Historical and Philosophical Issues in the Conservation
I am the Head of the Department of Conservation, that unites Easel Painting and Wall Painting Conservation with transdisplinary research on preventive conservation, technic
...Authority, becoming Head of the Art Conservation Section of the Conservation Department in 1994. He has been a member of ICCM (International Committee for Conservation M
...Other requirements: Previous conservation experience is not required, though some understanding of the nature of wall painting conservation is desirable. Students must have normal colour
...applications are overseen by the Head of Conservation and Technology. Decisions to select an applicant for interview are made by the Head of Conservation and Technology and two other mem
...S; Mohanty, P. P. (2016). ‘Conservation of wall paintings of Karugma Lakhang, Igu, Ladakh‘ Conservation of Cultural Property in India, Vol. 41, 62-71, Indian Association for
Aviva Burnstock is a Professor of Conservation at The Courtauld Institute of Art, where she took a PhD (1991) and a Diploma in the Conservation of Easel Paintings (1984). From...
The 2020 Spring Lecture Series has been organised by Professor Aviva Burnstock, Head of the Department of Conservation and Technology. Decisions, Revisions and Supposition: The Conservation
...Museums of Liverpool. Teaching 2020-21 Postgraduate Diploma in the Conservation of Easel Paintings History of Artists Materials and Techniques History and Practice of Written and Photographic Documentati
...(Getty Conservation Institute)rnIsabel Horovitz (The Painting Conservation Studio)rnSarah James (UCL)rnAlexandra Kaczenski (Case Western University)rnSabine Kriebel (University of Cork)r
