How did images convey meaning and ideas in the Middle Ages? This Special Option explores the ideas that shaped medieval art, asking what can be learned about the relationship between the visual and the verbal via carefully-chosen case studies in a variety of media, with an emphasis on illuminated manuscripts. These medieval amalgams of text and image offer rich insights into the art of the High Middle Ages.
It will investigate the ideas that shaped medieval art, asking what can be learned about the relationship between the visual and the verbal through a series of case studies in a variety of media – stone carvings, wall painting, stained glass, ivory and metalwork – with a particular emphasis on illuminated manuscripts.
In the first semester, we will learn about art produced in England in the period leading up and immediately after the Norman Conquest. Our initial focus will be manuscripts – giant Bibles, psalters and picture books – before moving on to object case studies, including the Gloucester Candlestick and the Becket Casket. We will explore what factors determined the design and decoration of churches, castles and cathedrals built in this period, considering how changing devotional and liturgical practices shaped architectural style.
In the second semester, we will consider the impact of the Crusades on the production of medieval art and explore the rise of courtly literature and illustrated romances. We will explore parallels between illuminated manuscripts and works of art in other media – panel and wall painting, stained glass and ivory – and see what they reveal about the processes of commissioning and making. Students will consider iconographic motifs, figural style and decorative tropes for what they reveal (or obscure) about the processes of commissioning and making.
The course will explore the intellectual, theological, philosophical, social and historical ideas credited as the driving forces behind medieval images. It encourages an inter-disciplinary approach to the study of medieval art, drawing on art history, literature and theology, and welcomes all students of medieval art, particularly those with an interest in manuscripts. It may particularly appeal to those who have studied English literature and history.
We will visit exhibitions and galleries, churches and cathedrals, both in London and beyond, as well as a two-day study trip abroad (Aachen, Germany) supported by a travel grant.
Weekly Latin classes (at both Beginner and Intermediate levels) will be offered.
Students will gain a thorough understanding of art and architecture in Northern Europe in the period c.1000-1300. They will hone visual and literary skills by engagement with a substantial body of visual material and associated texts.
In the event that a course leader is on sabbatical, takes up a fellowship, or otherwise is not able to teach the course, they will be replaced by another experienced course leader either for a semester or, in some cases, the academic year.
Please note: whilst many Special Options will include site visits within the UK and further afield, these are subject to confirmation.
