A major new initiative in the study and teaching of British Art.

With a generous donation of £9.5million ($12million) from the Manton Foundation, The Courtauld established the Manton Centre for British Art in 2025.
Named after British art collectors and philanthropists, Sir Edwin Manton and Lady Florence Manton, the Centre consolidates The Courtauld’s position as a world leader in the study of all aspects of British art, and marks the continued commitment of the Manton family to the understanding of British art through research and teaching.
The Manton Centre for British Art is the intellectual hub for art historians, curators, critics, artists and students nationally and internationally. Committed to the study of all periods and forms of British art and attending to artwork made in colonial contexts and by diasporic communities, the Centre provides a platform for world-leading research and for teaching the next generation of British art professionals. The Centre organises lectures, conferences and workshops; awards scholarships; and hosts visiting fellows. The prestigious Manton Lecture is given annually by a leading figure in the field.
The Courtauld’s innovative specialists in British art are members of the Centre helping to shape its activities and future development. The Centre operates as the base for students taking modules in British art as part of their MA degree and also provides a home for PhD students researching British art.

Located at The Courtauld’s current campus Vernon Square, the Manton Centre will later be housed in purpose-designed premises at Somerset House, providing the physical and intellectual home for The Courtauld’s teaching and research on all aspects of British art.
The Manton Centre also pursues collaborations with other scholarly and artistic insitutions, both in the UK and internationally. In developing collaborations and partnerships, the Manton Centre engages all areas and periods of British art, and involves a wide range of interlocutors.
The Centre is directed by Steve Edwards, Manton Professor of British Art
MA Special Options focused on British Art include:
Academic Lead
Faculty and Curators
Silvia Rita Amato
Conservation Scientist, Department of Conservation

Pippa Balch
Senior Lecturer, Conservation of Easel Paintings

Dr Jessica Barker
Senior Lecturer in Medieval Art History

Professor Alixe Bovey, FSA FRHistS
Professor of Medieval Art History

Professor Aviva Burnstock
Professor of Conservation

Dr Esther Chadwick
Lecturer in Art History

Dr Indie A. Choudhury
Lecturer in Modern and Contemporary Art

Professor David Peters Corbett
Professor of American Art

Dr Elena Crippa
Curator of Contemporary Art: Exhibitions and Projects

Maureen Cross
Senior Lecturer, Department of Conservation

Professor Dorothy Price FBA
Professor of Modern and Contemporary Art and Critical Race Art History; Executive Dean and Deputy Director (from August 2025)

Dr Pia Gottschaller
Reader in Technical Art History

Dr Catherine Grant
Reader and Vice-Dean for Education

Professor Mark Hallett
Märit Rausing Director

Emily Howe
Lecturer, Conservation of Wall Painting

Dr Kyle Leyden
Lecturer in Early Modern Architecture

Professor Lynda Nead
Visiting Professor of History of Art

Clare Richardson, FIIC
Head of Conservation

Dr Jane Spooner
Senior Lecturer, Conservation of Wall Paintings

Tom Stammers
Reader in Art and Cultural History

Sibylla Tringham
Lecturer, Conservation of Wall Paintings

Dr Barnaby Wright
Deputy Head of The Courtauld Gallery and the Daniel Katz Curator of 20th Century Art

Dr Tom Young
Lecturer in Nineteenth-Century Art Histories
