Dr Jessica Barker

Senior Lecturer in Medieval Art History

Jessica Barker is a specialist in medieval art, with a particular emphasis on sculpture. She studied at the University of Oxford and the Courtauld Institute of Art, where she was subsequently Henry Moore Postdoctoral Fellow. She joined The Courtauld in 2018, after two years as a lecturer in world art at the University of East Anglia.

Jessica’s research ranges across northern Europe and the Iberian peninsular, addressing questions of the macabre, gender, concealment and the body. Her prize-winning monograph, Stone Fidelity: Marriage and Emotion in Medieval Tomb Sculpture, based on work from her doctoral thesis, explores the intersection of love and death in funerary art. She is the co-editor of Revisiting the Monument. Fifty Years Since Panofsky’s Tomb Sculpture, a collection of essays addressing Erwin Panofsky’s scholarship on tomb sculpture. She has published widely on death and commemoration, with articles in journals including Art History, The Burlington Magazine, Gesta, and The Sculpture Journal. Forthcoming publications include articles on the artistic patronage of Iberian noblewomen in England. Jessica is currently thinking about the lives and afterlives of the padrões, columns erected on the coast of West Africa by Portuguese navigators.

 

PhD Supervision

Current

Chloe Kellow (with Prof. Joanna Cannon): A Cumulative Work of Art: The Silver Altar of Saint James, Pistoia, (1287-1456) Expanded, Reconfigured, Restaged.

Florence Eccleston: The Iconography and Perception of Sin in Late Medieval English Wall Paintings.

stone fidelity book cover, two hands holding each other, close up of a sculpture

Publications

Books

Winner of the 2022 prize for best single- or dual-authored book on any topic in medieval art from the International Centre of Medieval Art.

Winner of 2022 prize for exemplary scholarship (pre-1600) from the Historians of British Art

 

Articles

  • “‘Fully Armed in Plate of War’: Making the Effigy of the Black Prince.” with Emily Pegues and Graeme McArthur,  The Burlington Magazine, November 2021, pp. 997-1009
  • “Frustrated Seeing: Scale, Visibility and a Fifteenth-Century Royal Monument in Portugal.” Art History 41, no. 2 (2018), pp. 220–45.
  • “The Sculpted Epitaph— Word and Image in Funerary Sculpture.” The Sculpture Journal 26, no. 2 (2017), pp. 235–64.
  • “Legal Crisis and Artistic Innovation in Thirteenth-Century Scotland.” In Invention and Imagination in British Art and Architecture. Special Edition of British Art Studies 6 (2017).
  • “Invention and Commemoration in Fourteenth-Century England: A Monumental ‘Family Tree’ at the Church of St Martin, Lowthorpe.” Gesta 56.1 (2017), pp. 105–28.

Chapters

  • “A Book-Bound Voice: Liturgical Books and the Commemoration of the Dead.” In The Medieval Book as Object, Idea and Symbol, ed. Julian Luxford (Donington: Shaun Tyas, 2021), pp. 200—223.
  • “The Speaking Tomb: Ventriloquizing the Voices of the Dead.” In Picturing Death: 1200- 1600, eds. Stephen Perkinson and Noa Turel (Leiden: Brill, 2020), pp. 129-63.
  • “Stone and Bone: The Corpse, the Effigy and the Viewer in Late-Medieval Tomb Sculpture.” In Revisiting the Monument. Fifty Years Since Panofsky’s Tomb Sculpture, eds. Jessica Barker and Ann Adams (London: Courtauld Books On-Line: 2016).

Other current/ongoing professional activities

  • Fellow of the Society of Antiquaries
  • Council Member, British Archaeological Association
  • Editorial board, Studies in Medieval and Renaissance Sculpture book series (Brepols)

Citations