NEW Digging up the Past: Collecting Antiquities and Paleo-Christian Relics in Early-Modern Rome

Online

Evening Study Online

Dr Barbara Furlotti

5 pre-recorded lectures with 5 live Zoom seminars at 18:30, over 5 weeks from Thursday 12 November to Thursday 10 December 2026

 £245

 

Course Description

In his late sixteenth-century memoirs, the sculptor, restorer and – possibly – forger Flaminio Vacca recounts how, as a young child, he would wander with his father around excavation sites in Rome. In particular, Vacca vividly recalls the sight of a large sculptural group being dragged out of a “pit large as an abyss”. His memory is accurate: in the early-modern period, Rome and its surroundings were indeed a vast excavation site. In the countryside, urban vineyards and gardens, antiquities came to light almost daily either by chance during agricultural work or as a result of excavations sponsored by passionate collectors, who competed with each other’s to secure the best pieces. Meanwhile, in the city centre, relics of the first Christian martyrs were unearthed during building renovations of paleo-Christian basilicas, which were then placed in precious reliquaries and venerated, but also collected by pious collectors.

In this course, we will investigate how pre-archaeological excavations transformed subterranean objects, like Roman sculptures and paleo-Christian relics, into movable, marketable, and highly sought-after collector’s items. Led by primary and visual sources, we will (virtually) follow diggers down into excavation tunnels; we will learn how antiquarians procured the best pieces available on the market places and negotiated a fair price; we will ask collectors to open their palaces for us and guide us through their assemblages of antiquities and relics. Meanwhile, restorers will teach us how they turned disfigured fragments into sensuous statues of Venus, and forgers how they created fakes that looked genuine and fool even the best antiquarians of the time.

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Lecturer's Biography

Dr Barbara Furlotti is Associate Lecturer at the Courtauld. She has held post–doctoral fellowships at the Getty Research Institute in Los Angeles, the Warburg Institute in London, the Humboldt Universität in Berlin, and the Bibliotheca Hertziana in Rome. She has published extensively on the history of collecting, display practices and the art market. Her current book project focusses on antiquarian forgeries and restoration practices in Renaissance Italy. She co–curated the exhibitions ‘Giulio Romano: Art and Desire’ (Mantua, Palazzo Te, 2019–2020) and ‘Giulio Romano: the Power of Things on Renaissance Design’ (Mantua, Palazzo Te, 2022-2023). Her next exhibition on the con concept of nature in Renaissance court culture will take place in Mantua in the autumn of 2026.

Citations