Terms and conditions
These are your booking’s Terms and Conditions provided in a permanent state; please download the document relevant to your booking period. Changes to the T&Cs apply only to bookings made after the document’s indicated revision date.
- Short Courses 2023
- Spring and Autumn Courses
- Summer School
- Summer School online
- 1 – Gothic Images: The Art of Magnificence, 1200-1500
- 2 – A Golden Age: Dutch and Spanish Art of the Seventeenth Century
- 3 – From Life: Representing Nature in Northern European Art, 1500-1750
- 4 – NEW – Pagans, Christians and the Art of Late Antiquity
- 5 – Carlo Crivelli and his Contemporaries: An Alternative History of Italian Renaissance Painting
- 6 – Travelling Light: Turner, Constable and the Shape of British Art
- 7 – Dürer in Renaissance Venice
- 8 – NEW – The Fear and the Fury: Abstract Expressionism
- 9 – NEW – Body Politics: Gender and Sexuality in the Modern and Contemporary Art of the Middle East and North Africa
- 10 – Russian Art 1863-1932: Innovations, Influences and the Roots of Modernity
- 25 – NEW [ONLINE] – The Power of Tears and Fears: Sites and Communities of Contemporary Art in East and South-East Asia
- Online Course Delivery – Summer School
- Contact us about Summer School
- Summer School on campus
- 11 – Like a Pilgrim: Experiencing the Great Shrine Churches of Medieval England
- 12 – NEW – Venezianità: The Art of Being Venetian in the Fifteenth and Sixteenth Centuries
- 13 – Fantasies Reframed: Orientalism and its Contexts
- [CANCELLED] 14 – NEW – Luxury or Squalor? The Artist’s Studio from the Renaissance to Now
- 15 – Unruly Britannia: The Brit Art Renaissance of 1945-1970
- 16 – Beyond Artemisia: Italian Women Artists in the Long Seventeenth Century
- 17 – NEW – Constructing the Heart of Empire: London’s Public Architecture
- 18 – Power, Politics and Architecture: Palaces and Gardens in Mughal South Asia
- 19 – Fathers of Modern Art: Manet and Cézanne
- 20 – The Art of Weimar Germany: Modernity in the Balance
- 21 – NEW – The Byzantine World: The Arts in the East Roman Empire from the Fourth to the Fifteenth Centuries
- 22 – The Palladian Model: Variations on an Ideal
- 23 – Idealists, Realists and the Avant-Garde: The Battle for Nineteenth-Century French Painting
- 24 – Bright Lights and Dark Visions: Nordic Art from the Danish Golden Age to Edvard Munch
- 26 – Art for the Friars in Early Renaissance Italy
- 27 – The Art of the Sultans: Ottoman Art and Architecture
- 28 – NEW – A Society of Spectacle: Seeing and Being Seen in Eighteenth-Century Venice
- 29 – A Nervous State of Affairs: Art in Vienna, 1880-1938
- 30 – NEW – Drop Dead New York: Art and Activism Downtown, 1971-1992
- Summer School online
- Showcasing Art History
- Study Tours
- Evening Study at The Courtauld
- Saturday Study
- Open Event
- Terms and conditions
- Frequently Asked Questions
- Short Courses 2023 – Brochure
- About the Short Courses Team