The Courtauld Gallery is home to one of the greatest collections of art in the UK and an annual programme of focused exhibitions, displays and contemporary commissions. All housed in a beautiful human-sized gallery at Somerset House.
The Courtauld Institute is a research-led, independent college of the University of London, offering world–renowned programmes in the history, conservation, curation and business of art.
We care for an outstanding art collection, advance the study and conservation of visual art, and share it through acclaimed exhibitions. Your support helps us inspire new ways of seeing and thinking about art.
Leonardo da Vinci was a tireless draughtsman for whom drawing was an essential means of developing compositional ideas. In these two rapid pen and ink sketches he explored the ambitiously...
Paul Gauguin painted Nevermore in February 1897, during his second and final stay in Tahiti, an island in the southern Pacific colonised by France. Intended for a white European male...
Paul Gauguin painted Nevermore in February 1897, during his second and final stay in Tahiti, an island in the southern Pacific colonised by France. Intended for a white European male...
Manet made this drawing in preparation for an etching. The central figure’s contours have been incised for transfer to the copper plate. The use of red chalk – unusual by...
Paul Gauguin painted Nevermore in February 1897, during his second and final stay in Tahiti, an island in the southern Pacific colonised by France. Intended for a white European male...
Designed by William Chambers (1723-1796), probably made by Sefferin Alken (active 1744-1783)
Paul Gauguin painted Nevermore in February 1897, during his second and final stay in Tahiti, an island in the southern Pacific colonised by France. Intended for a white European male...
Paul Gauguin painted Nevermore in February 1897, during his second and final stay in Tahiti, an island in the southern Pacific colonised by France. Intended for a white European male...
Paul Gauguin painted Nevermore in February 1897, during his second and final stay in Tahiti, an island in the southern Pacific colonised by France. Intended for a white European male...
In this particular painting, Young Woman Powdering Herself, the modulation of light and shadow on the wall is achieved with the use of small dots of pure colour juxtaposed in...
Paul Gauguin painted Nevermore in February 1897, during his second and final stay in Tahiti, an island in the southern Pacific colonised by France. Intended for a white European male...
Paul Gauguin painted Nevermore in February 1897, during his second and final stay in Tahiti, an island in the southern Pacific colonised by France. Intended for a white European male...
Paul Gauguin painted Nevermore in February 1897, during his second and final stay in Tahiti, an island in the southern Pacific colonised by France. Intended for a white European male...
