The Courtauld Gallery is home to one of the greatest collections of art in the UK and an annual programme of focused exhibitions, displays and contemporary commissions. All housed in a beautiful human-sized gallery at Somerset House.
The Courtauld Institute is a research-led, independent college of the University of London, offering world–renowned programmes in the history, conservation, curation and business of art.
We care for an outstanding art collection, advance the study and conservation of visual art, and share it through acclaimed exhibitions. Your support helps us inspire new ways of seeing and thinking about art.
...and research in art history, curating and conservation. Your kindness and generosity will go towards supporting our innovative programme of exhibitions, safeguarding one of the world’s finest art collections for...
...one-day workshops specially designed for 16-18 year olds. Summer University: Spend five days experiencing student life at a world-class university specialising in Art History, Conservation, and Curating. Art History beyond...
...Vigar, Church of St Mary the Virgin Burham, Kent (Churches Conservation Trust, 2009), p. 7. [35] Though he does not mention the Hospitallers, Vigar points out the presence of pilgrims...
...of the costs associated with securing and displaying a loan, for example security reviews, insurance, transportation, conservation, installation and invigilation. Ernst Vegelin van Claerbergen, A&F Petitgas Head of the Courtauld...
...The Courtauld – whether that is based in material (we have strong interests in architectural history and technical art history, working with our conservation departments), theoretical questions (a growing community...
...the realisation of its ambitious development. Recognised internationally as the pre-eminent centre for the study of art history, art conservation and curatorial studies, the Courtauld exemplifies the philanthropist Samuel Courtauld’s...
‘Intimacy builds worlds; it creates spaces and usurps places meant for other kinds of relation,’ wrote the literary critic and queer theorist Lauren Berlant. Just as the verb ‘to intimate’...
This lecture series presented work from leading researchers who use digital methods in art history and technical art history/conservation to think in new ways about our disciplines. It explores how...
...The French pavilion was directed by Massan, the conservationist at the Luxemburg art gallery. It is unlikely he selected the pictures himself; these are hung in typical museum style where...
