The Courtauld Gallery is home to one of the greatest collections of art in the UK and an annual programme of focused exhibitions, displays and contemporary commissions. All housed in a beautiful human-sized gallery at Somerset House.
The Courtauld Institute is a research-led, independent college of the University of London, offering world–renowned programmes in the history, conservation, curation and business of art.
We care for an outstanding art collection, advance the study and conservation of visual art, and share it through acclaimed exhibitions. Your support helps us inspire new ways of seeing and thinking about art.
...and the conservation of 3D objects. Her professional interests center on sustainable approaches to preventive conservation and the integration of green conservation principles into education and training programs. She also...
This annual one-day symposium is named after its founder, Gerry Hedley, who was a Reader at The Courtauld Institute of Art and a leader of pioneering research in conservation, inspiring...
...and University College London (MA in Principles of Conservation; MSc in Conservation for Archeology and Museums). She has worked as the Postgraduate Fellow in Objects Conservation at the Canadian Conservation...
...been lecturing at both conservation programs in Vienna. She is currently member of the International Commissions in Ghent – for the conservation of the Ghent altarpiece and in Dresden –...
...convey how bequests have impacted the Conservation department, as well as outline exciting plans for the future of conservation. Conservation is only one area of many where legacies have had,...
“My work exists in literal and metaphoric states of becoming and unfixity, and this deconstructive strategy aims to continually build, break down and rebuild.” Lotus Laurie Kang is known for...
...Dr Tom Stammers at the Courtauld Institute of Art in London, where her research examines the architectural, site conservation and capital project histories of the Palace, Museum and National Estate...
Regardless of our individual interests, specialisms or training, I think we would all agree that for a conservation strategy to be successful it must be well informed. When dealing with...
...of Sculpture and Decorative Arts, the independent ceramics conservator Tiago Oliveira and freelance maiolica scholar Elisa Sani around the final stages of conservation of a tin-glazed jug made in Montelupo,...
...University of Kent, Canterbury, Imperial College London and University College London. A series of inter-university conservation schemes was initiated several years ago to address The Courtauld’s object conservation needs whilst...
...in the conservation of modern and contemporary artworks, publishing on an innovative conservation treatment for Darren Almond’s Timescape 00.30 using agarose gels. She has also worked as a paintings’ conservator...
