The Courtauld Gallery is home to one of the greatest collections of art in the UK and an annual programme of focused exhibitions, displays and contemporary commissions. All housed in a beautiful human-sized gallery at Somerset House.
The Courtauld Institute is a research-led, independent college of the University of London, offering world–renowned programmes in the history, conservation, curation and business of art.
We care for an outstanding art collection, advance the study and conservation of visual art, and share it through acclaimed exhibitions. Your support helps us inspire new ways of seeing and thinking about art.
Effective conservation is achieved through a process of acquiring data so that informed choices are made and implemented. This evidence-based approach implies that multiple considerations must be evaluated before conservation...
...History, Conservation, and Curating. Over the course of the week you will work closely with world-renowned art historians, curators and museum professionals, as well as Courtauld students and graduates, to...
...Postgraduate Diploma in the Conservation of Easel Paintings in 2014. From 2014-15 she was a Postgraduate Research Associate in Paintings Conservation at the Yale Center for British Art, where she...
...lecture will explore the making of Cai’s work across media, and the associated conservation issues. Dr Rachel Rivenc is the Head of Conservation and Preservation at the Getty Research Institute...
...of the Mauritshuis in The Hague, The Netherlands. It was last examined in 1994, during a conservation treatment. Although further restoration is not yet required, major advances in non-invasive technical...
...across large heritage sites or geographical areas aids in conservation management and helps strategise conservation efforts. This also improves accessibility to documentation for both conservation planning and interpretation purposes. The...
...painting conservation always involves collaborating with those working on the building, both at the design and implementation stage. Wall painting conservation projects regularly have sub optimal outcomes, not because of...
...from The Courtauld with a Postgraduate Diploma in the Conservation of Easel Paintings in 2014. From 2014-15 she was a Postgraduate Research Associate in Paintings Conservation at the Yale Center...
...City & Guilds Conservation Programme and the Parliamentary Art Collection. For the first time, this unique conservation initiative is taking place at The Courtauld’s Conservation studios based in Somerset House...
...(UC Berkeley) Rhonda Garelick (University of Nebraska-Lincoln) Barbara Gates Linda Goddard (University of St Andrews) Pia Gottschaller (Getty Conservation Institute) Isabel Horovitz (The Painting Conservation Studio) Sarah James (UCL) Alexandra...
...Gallery painting conservator. Since 2010 he has been the Chief Conservator. The structural conservation of the painting ‘The Holy Trinity with Saints John the Baptist and Mary Magdalen’ (1491-94) by...
The 2020 Spring Lecture Series was organised by Professor Aviva Burnstock, Head of the Department of Conservation and Technology. Decisions, Revisions and Supposition: The Conservation and Technical Examination of Sandro...
