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Research

Van Gogh at the Met: recent insights through technical examination

6:30pm, 10 Mar 2021

...is a paintings conservator at The Metropolitan Museum of Art, where she is primarily responsible for works of the nineteenth century. She received her training in the Conservation of Paintings...

Research Talks The Courtauld Centre for the Art of the Americas

Devan Shimoyama in conversation with Alex Bispham and Pia Gottschaller

6:00pm, 23 Mar 2026

...conservation and curating. Prior appointments include Senior Research Specialist at the Getty Conservation Institute, Los Angeles; paintings conservator at Tate, London, and the Whitney Museum of American Art, New York;...

Research

The Many Lives of Fragmented Letters: Buddhist Death Rituals, Palimpsests, and Reuse in Medieval Japan

6:00pm, 3 Nov 2021

...Professor Sussan Babaie (The Courtauld). Organised in collaboration with the Robert H.N. Ho Family Foundation Centre for Buddhist Art and Conservation. The Robert H. N. Ho Family Foundation Centre for...

Research

Recreating Angkorian Worlds: Out of Chaos

6:00pm, 15 Mar 2022

...Art and Conservation. The Robert H. N. Ho Family Foundation Centre for Buddhist Art and Conservation at The Courtauld was established by a generous endowment in 2012 from the Robert...

Adrian Vanson and Adam de Colone: Technical Study of Two Scoto-Jacobean Stranger-Painters

6:00pm, 27 Oct 2016

...their workshop practices. Caroline recently completed her Ph.D (jointly hosted by the Department of Conservation and Technology at the Courtauld and the National Portrait Gallery, where she was a member...

Public Programmes Short Courses

“The Root of Everything”: Drawing in Europe from the Renaissance to the Modern Period

17 Apr - 20 Apr 2023

...and the graphic arts. Kate Edmondson studied paper conservation at Camberwell College of Arts, London. From 1988 Kate has worked in many museums, galleries and private conservation studios in London...

Seeing art in the best light

5:30pm, 13 Jan 2017

...lighting can aid both the interpretation of an artwork whilst maintaining excellent conservation standards. Malcolm Innes’ deep fascination with the perception of brightness at conservation light levels was born out...