Ruskin’s Ecologies: Figures of Relation from Modern Painters to The Storm-Cloud

Edited by Kelly Freeman and Thomas Hughes

i Fig. 0.3 J. C. Armytage after John Ruskin, The Vine: Free and in Service. Engraving, reproduced in The Stones of Venice 2 (1853). Library Edition, Plate Six, facing 10.115. Photo: The London Library.

DOI: 10.33999/2021.56