Ruskin’s Ecologies: Figures of Relation from Modern Painters to The Storm-Cloud
Edited by Kelly Freeman and Thomas Hughes
iFig. 0.3
J. C. Armytage after John Ruskin, The Vine: Free and in Service. Engraving, reproduced in The Stones of Venice 2 (1853). Library Edition, Plate Six, facing 10.115.
Photo: The London Library.
