You searched for Cezanne - Page 6 of 21 - The Courtauld

Jean-Honoré Fragonard (1732–1806), Young Girl Seated, 1785

Young Girl Seated

Jean-Honoré Fragonard

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Giovanni Battista Tiepolo, Holy Family with Saint Joseph Reading

Holy Family with Saint Joseph Reading

Giovanni Battista Tiepolo

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A drawing of a nude woman, seemingly kneeling on a chair, although the chair is not visible. The background is completely dark with the figure contrasting in light colours. Both legs and arms fade into the edges of the paper, and there are no harsh lines.

Female Nude

Georges Seurat

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Silver George III condiment vase with two handles and a lid, depicting two figures on the vase

Condiment Vase and Cover

Louisa Perina Courtauld (1729-1807) and George Cowles (died in 1811), 1771-72

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A painting of a sleeping, naked woman sitting in a sensuous pose. She has an elongated face and long dark hair, and her public hair is visible. She leans on a red shape on the right with a blue wall visible behind her.

Female Nude

Amedeo Modigliani

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Thomas Gainsborough (1727-1788), Wooded landscape with herdsman, cows and sheep, 1784-5

Wooded landscape with herdsman, cows and sheep

Thomas Gainsborough

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A watercolour drawing of the Castel Sant Angelo in Rome. The scene is simple, shown from the other side of the river, with a single boat in the water and two small fishermen visible in the foreground. The palette is sombre, with hazy dark colours and blues.

Castel Sant’Angelo, Rome

John Robert Cozens

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Bucket of engraved brass with silver inlay, the decoration continuing over the base, 1475-1550

Bucket

Attributed to Zayn al-Din, Northwestern Iran, Turkey, Egypt or Syria, Around 1475-50

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A white bust of Mette, Paul Gauguin’s Danish wife on a plinth

Portrait of Mette Gauguin

Paul Gauguin

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Footed dish with Diana and Actaeon changed into a Stag, Casteldurante, probably workshop of Ludovico and Angelo Picchi, about 1550-60

Footed dish with Diana and Actaeon changed into a Stag

Probably the workshop of Ludovico and Angelo Picchi

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This gothic ivory contrasts the tenderness of the Virgin Mary holding the Child with the anguish of the Crucifixion. When the diptych is opened, Mary appears to look directly at her son on the cross

Diptych with the Virgin and Child and the Crucifixion

Paris, 1325-50

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Incense burner of pierced and engraved brass inlaid with silver, with images of the planets within roundels, Mamluk, Syria, 13th century

Incense Burner

Syria (Mamluk Sultanate, 1250-1517), Around 1280-90

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