Immediations No.21 (2024) i Royal Academy of Art “Art is a Serious Subject” campaign, 2024 Photo: Laurence Howe / Lightfoot Agency On Edge: An Editorial Alice Dodds & Emma Iadanza (Editors-in-Chief) Read more INTERVIEW// ‘Flickering Between Worlds’: An Interview with Bunmi Agusto Rada Giorgieva & Tatjana Schaefer Read more The Transcendental Promise of Pain in Tibor Hajas’ Dark Flash Rebecka Öhrström Kann Read more For Want of Observation: Atlantic Earthquakes of the Long Eighteenth Century at the Limits of Vision Alice M. Chambers Read more The Edge of Artifice: The Shāhnāmeh of Shah Tahmāsp and Interrogating the Edge in Early Safavid Manuscript Painting Rachel Alban Read more “Britannia triumphant, her ships sweep the sea”: The Performance of Imperial-Maritime British Identity Grace Fannon Read more Reality or Illusion? Pilgrimage and Paragone at the Sacro Monte di Varallo Bianca Arthur-Hull Read more REVIEW // Ancestral Places: People of African Descent at Tudor Place Sarah Brokenborough Read more REVIEW // Ainu Stories: Contemporary Lives by the Saru River Joseph Rosalind-Hayat Read more Contributors Read more You might also like Immediations Online Read more About Immediations Read more
INTERVIEW// ‘Flickering Between Worlds’: An Interview with Bunmi Agusto Rada Giorgieva & Tatjana Schaefer Read more
For Want of Observation: Atlantic Earthquakes of the Long Eighteenth Century at the Limits of Vision Alice M. Chambers Read more
The Edge of Artifice: The Shāhnāmeh of Shah Tahmāsp and Interrogating the Edge in Early Safavid Manuscript Painting Rachel Alban Read more
“Britannia triumphant, her ships sweep the sea”: The Performance of Imperial-Maritime British Identity Grace Fannon Read more
Reality or Illusion? Pilgrimage and Paragone at the Sacro Monte di Varallo Bianca Arthur-Hull Read more
