Immediations No.21 (2024) i Royal Academy of Art “Art is a Serious Subject” campaign, 2024 Photo: Laurence Howe / Lightfoot Agency On Edge: An Editorial Alice Dodds & Emma Iadanza (Editors-in-Chief)... Read more INTERVIEW// ‘Flickering Between Worlds’: An Interview with Bunmi Agusto Rada Giorgieva & Tatjana Schaefer... Read more The Transcendental Promise of Pain in Tibor Hajas’ Dark Flash Rebecka Öhrström Kann... Read more For Want of Observation: Atlantic Earthquakes of the Long Eighteenth Century at the Limits of Vision Alice M. Chambers... Read more The Edge of Artifice: The Shāhnāmeh of Shah Tahmāsp and Interrogating the Edge in Early Safavid Manuscript Painting Rachel Alban... Read more “Britannia triumphant, her ships sweep the sea”: The Performance of Imperial-Maritime British Identity Grace Fannon... Read more Reality or Illusion? Pilgrimage and Paragone at the Sacro Monte di Varallo Bianca Arthur-Hull... Read more REVIEW // Ancestral Places: People of African Descent at Tudor Place Sarah Brokenborough... Read more REVIEW // Ainu Stories: Contemporary Lives by the Saru River Joseph Rosalind-Hayat... Read more Contributors Read more You might also like Immediations Online Read more About Immediations Read more
INTERVIEW// ‘Flickering Between Worlds’: An Interview with Bunmi Agusto Rada Giorgieva & Tatjana Schaefer... Read more
For Want of Observation: Atlantic Earthquakes of the Long Eighteenth Century at the Limits of Vision Alice M. Chambers... Read more
The Edge of Artifice: The Shāhnāmeh of Shah Tahmāsp and Interrogating the Edge in Early Safavid Manuscript Painting Rachel Alban... Read more
“Britannia triumphant, her ships sweep the sea”: The Performance of Imperial-Maritime British Identity Grace Fannon... Read more
Reality or Illusion? Pilgrimage and Paragone at the Sacro Monte di Varallo Bianca Arthur-Hull... Read more
REVIEW // Ancestral Places: People of African Descent at Tudor Place Sarah Brokenborough... Read more
