About Immediations

Editorial and Review Board

2021

Editorial board

rnBella Radenović (Editor-in-Chief)rnrnAssociate Editors: Samuel Dawson; Kateryna Denysova; Laura Franchetti; Giulia Morale; Fred Shan; Leo Stefani; Francesca Wilmottrn

External review board

rnSusan Aberth (Bard College)rnLeonard-Daniel AldearnSimon Baker (Maison Europeene de la Photographie, Paris)rnDjurdja Bartlett (London College of Fashion)rnTessel M. Bauduin (Open University of the Netherlands and Universiteit van Amsterdam)rnJane Bradney (Institute of Historical Research London)rnWolfgang Brückle (Lucerne University of Applied Sciences and Arts)rnMolly Brunson (Yale University)rnCaroline Campbell (The National Gallery, London)rnAnnemarie Weyl Carr (Southern Methodist University)rnJudith Clark (London College of Fashion)rnDavid Peters Corbett (University of East Anglia and The Courtauld)rnFinola O’Kane Crimmins (University College Dublin)rnDavid Cunningham (University of Westminster)rnAllison Deutsch (Birkbeck London)rnJulien Domercq (Dallas Museum of Art)rnMichael Duffy (MoMA, New York)rnHelen Evans (Metropolitan Museum of Art)rnMichelle Foot (University of Edinburgh)rnJacob Gaboury (UC Berkeley)rnRhonda Garelick (University of Nebraska-Lincoln)rnLinda Goddard (University of St Andrews)rnPia Gottschaller (The Courtauld)rnIsabel Horovitz (The Painting Conservation Studio)rnSarah JamesrnAlexandra Kaczenski (Case Western University)rnSabine Kriebel (University of Cork)rnAngeliki Lymberopoulou (Open University)rnVasileios Marinis (Yale University)rnMalcolm Miles (University of Plymouth)rnMartin Myrone (Tate Britain)rnDiana Newall (Open University)rnJeanne Nuechterlein (University of York)rnAnna Russakoff (American University of Paris)rnWendy Salmond (Chapman University, CA)rnStephanie Schwartz (University College London)rnNat Silver (The Frick Collection)rnFrances Spalding (University of Cambridge)rnCatherine Spencer (University of St Andrews)rnAnne Rudloff Stanton (University of Missouri)rnJohn Paul StonardrnLisa TurveyrnSarah Tyler Brooks (James Madison University)rnJane Tynan (Central Saint Martins)rnSabine Wieber (University of Glasgow)rnBeth Williamson (University of Bristol)rnKim Woods (Open University)rnPeter Zusi (University College London)

2020

Editorial Board

rnAmbra D’Antone (Editor-in-chief)rnrnAssociate Editors: Emily Christensen; Alice David; Laura Franchetti; Lorenzo Gatta; Jamie Haskell; Choghakate Kazarian; Helen Lewandowski; Erica Payet; Chelsea Pierce; Bella Radenovic; Harvey Shepherd; Anya Smirnovarn

External review board

rnSusan Aberth (Bard College)rnLeonard-Daniel Aldea (University of Oxford)rnSimon Baker (Tate)rnDurdja BartlettrnM. Bauduin (Universiteit van Amsterdam)rnJane BradneyrnWolfgang BrücklernMolly Brunson (Yale University)rnCaroline Campbell (The National Gallery, London)rnAnnemarie Weyl Carr (Southern Methodist University)rnJudith Clark (London College of Fashion)rnDavid Peters Corbett (University of East Anglia and Courtauld Institute of Art)rnFinola O’Kane Crimmins (University College Dublin)rnDavid Cunningham (University of Westminster)rnAllison Deutsch (University College London)rnJulien Domercq (National Gallery London)rnMichael Duffy (MoMA, New York)rnHelen Evans (Metropolitan Museum of Art)rnMichelle Foot (University of Edinburgh)rnJacob Gaboury (UC Berkeley)rnRhonda Garelick (University of Nebraska-Lincoln)rnBarbara GatesrnLinda Goddard (University of St Andrews)rnPia Gottschaller (Getty Conservation Institute)rnIsabel Horovitz (The Painting Conservation Studio)rnSarah James (UCL)rnAlexandra Kaczenski (Case Western University)rnSabine Kriebel (University of Cork)rnAngeliki Lymberopoulou (Open University)rnVasileios Marinis (Yale University)rnMalcolm Miles (Plymouth University)rnMartin Myrone (Tate Britain)rnDiana Newall (Open University)rnJeanne Nuechterlein (The University of York)rnAnna Russakoff (American University of Paris)rnWendy Salmond (Chapman University, CA)rnStephanie Schwartz (UCL)rnNat Silver (The Frick Collection)rnFrances Spalding (University of Cambridge)rnCatherine Spencer ( University of St Andrews)rnAnne Rudloff Stanton (University of Missouri)rnJohn Paul Stonard (Burlington Magazine)rnLisa Turvey (Artforum)rnSarah Tyler Brooks (James Madison University)rnJane Tynan (Central Saint Martins)rnSabine Wieber (University of Glasgow)rnBeth Williamson (University of Bristol)rnKim Woods (Open University)rnPeter Zusi (UCL)

2019

Editorial Board

rnAna-Maria Milcic (Editor-in-Chief)rnHarry Prance (Editor-in-Chief)rnrnAssociate Editors: Ambra D’Antone; Emily Christensen; Lorne Darnell; Giosuè Fabiano; Leah Gouget-Levy; Sophie Guo; Emma Merkling; Erica Payet; Wiktor Komorowski; Alice Zambonirn

External review board

rnSusan Aberth (Bard College)rnLeonard-Daniel Aldea (University of Oxford)rnSimon Baker (Tate)rnDurdja BartlettrnM. Bauduin (Universiteit van Amsterdam)rnJane BradneyrnWolfgang BrücklernMolly Brunson (Yale University)rnCaroline Campbell (The National Gallery, London)rnAnnemarie Weyl Carr (Southern Methodist University)rnJudith Clark (London College of Fashion)rnDavid Peters Corbett (University of East Anglia and Courtauld Institute of Art)rnFinola O’Kane Crimmins (University College Dublin)rnDavid Cunningham (University of Westminster)rnAllison Deutsch (University College London)rnJulien Domercq (National Gallery London)rnMichael Duffy (MoMA, New York)rnHelen Evans (Metropolitan Museum of Art)rnMichelle Foot (University of Edinburgh)rnJacob Gaboury (UC Berkeley)rnRhonda Garelick (University of Nebraska-Lincoln)rnBarbara GatesrnLinda Goddard (University of St Andrews)rnPia Gottschaller (Getty Conservation Institute)rnIsabel Horovitz (The Painting Conservation Studio)rnSarah James (UCL)rnAlexandra Kaczenski (Case Western University)rnSabine Kriebel (University of Cork)rnAngeliki Lymberopoulou (Open University)rnVasileios Marinis (Yale University)rnMalcolm Miles (Plymouth University)rnMartin Myrone (Tate Britain)rnDiana Newall (Open University)rnJeanne Nuechterlein (The University of York)rnAnna Russakoff (American University of Paris)rnWendy Salmond (Chapman University, CA)rnStephanie Schwartz (UCL)rnNat Silver (The Frick Collection)rnFrances Spalding (University of Cambridge)rnCatherine Spencer ( University of St Andrews)rnAnne Rudloff Stanton (University of Missouri)rnJohn Paul Stonard (Burlington Magazine)rnLisa Turvey (Artforum)rnSarah Tyler Brooks (James Madison University)rnJane Tynan (Central Saint Martins)rnSabine Wieber (University of Glasgow)rnBeth Williamson (University of Bristol)rnKim Woods (Open University)rnPeter Zusi (UCL)rnrn 

2018

Editorial Board

rnTeresa Lane (Editor-in-Chief)rnTalitha Schepers (Editor-in-Chief)rnrnAssociate Editors: Adriana Concin; Caitlin Doley (Reviews Editor); Bryan Keene; Ana-Maria Milcic; Harry Prance; Saskia Rubin; Tilly Scantleburyrn

External review board

rnSusan Aberth (Bard College)rnLeonard-Daniel Aldea (University of Oxford)rnSimon Baker (Tate)rnDurdja BartlettrnM. Bauduin (Universiteit van Amsterdam)rnJane BradneyrnWolfgang BrücklernMolly Brunson (Yale University)rnCaroline Campbell (The National Gallery, London)rnAnnemarie Weyl Carr (Southern Methodist University)rnJudith Clark (London College of Fashion)rnDavid Peters Corbett (University of East Anglia and Courtauld Institute of Art)rnFinola O’Kane Crimmins (University College Dublin)rnDavid Cunningham (University of Westminster)rnAllison Deutsch (University College London)rnJulien Domercq (National Gallery London)rnMichael Duffy (MoMA, New York)rnHelen Evans (Metropolitan Museum of Art)rnMichelle Foot (University of Edinburgh)rnJacob Gaboury (UC Berkeley)rnRhonda Garelick (University of Nebraska-Lincoln)rnBarbara GatesrnLinda Goddard (University of St Andrews)rnPia Gottschaller (Getty Conservation Institute)rnIsabel Horovitz (The Painting Conservation Studio)rnSarah James (UCL)rnAlexandra Kaczenski (Case Western University)rnSabine Kriebel (University of Cork)rnAngeliki Lymberopoulou (Open University)rnVasileios Marinis (Yale University)rnMalcolm Miles (Plymouth University)rnMartin Myrone (Tate Britain)rnDiana Newall (Open University)rnJeanne Nuechterlein (The University of York)rnAnna Russakoff (American University of Paris)rnWendy Salmond (Chapman University, CA)rnStephanie Schwartz (UCL)rnNat Silver (The Frick Collection)rnFrances Spalding (University of Cambridge)rnCatherine Spencer ( University of St Andrews)rnAnne Rudloff Stanton (University of Missouri)rnJohn Paul Stonard (Burlington Magazine)rnLisa Turvey (Artforum)rnSarah Tyler Brooks (James Madison University)rnJane Tynan (Central Saint Martins)rnSabine Wieber (University of Glasgow)rnBeth Williamson (University of Bristol)rnKim Woods (Open University)rnPeter Zusi (UCL)rnrn 

2017

Editorial Board

rn

Maggie Crosland (editor-in-chief)

rn

Peter Crack

rn

Caitlin Doley

rn

Teresa Lane

rn

Kyle Leyden

rn

Anna Merlini

rn

Patricia Smithen (book reviews)

rn

Denis Stolyarov (subscriptions)

rn

rn

External review board

rnSusan Aberth (Bard College)rnLeonard-Daniel Aldea (University of Oxford)rnSimon Baker (Tate)rnDurdja BartlettrnM. Bauduin (Universiteit van Amsterdam)rnJane BradneyrnWolfgang BrücklernMolly Brunson (Yale University)rnCaroline Campbell (The National Gallery, London)rnAnnemarie Weyl Carr (Southern Methodist University)rnJudith Clark (London College of Fashion)rnDavid Peters Corbett (University of East Anglia and Courtauld Institute of Art)rnFinola O’Kane Crimmins (University College Dublin)rnDavid Cunningham (University of Westminster)rnAllison Deutsch (University College London)rnJulien Domercq (National Gallery London)rnMichael Duffy (MoMA, New York)rnHelen Evans (Metropolitan Museum of Art)rnMichelle Foot (University of Edinburgh)rnJacob Gaboury (UC Berkeley)rnRhonda Garelick (University of Nebraska-Lincoln)rnBarbara GatesrnLinda Goddard (University of St Andrews)rnPia Gottschaller (Getty Conservation Institute)rnIsabel Horovitz (The Painting Conservation Studio)rnSarah James (UCL)rnAlexandra Kaczenski (Case Western University)rnSabine Kriebel (University of Cork)rnAngeliki Lymberopoulou (Open University)rnVasileios Marinis (Yale University)rnMalcolm Miles (Plymouth University)rnMartin Myrone (Tate Britain)rnDiana Newall (Open University)rnJeanne Nuechterlein (The University of York)rnAnna Russakoff (American University of Paris)rnWendy Salmond (Chapman University, CA)rnStephanie Schwartz (UCL)rnNat Silver (The Frick Collection)rnFrances Spalding (University of Cambridge)rnCatherine Spencer ( University of St Andrews)rnAnne Rudloff Stanton (University of Missouri)rnJohn Paul Stonard (Burlington Magazine)rnLisa Turvey (Artforum)rnSarah Tyler Brooks (James Madison University)rnJane Tynan (Central Saint Martins)rnSabine Wieber (University of Glasgow)rnBeth Williamson (University of Bristol)rnKim Woods (Open University)rnPeter Zusi (UCL)rnrn 

2016

Editorial Board

rnEdwin Coomasaru (editor-in-chief)rnThomas Hughes (editor-in-chief)rnJasmine ChohanrnMaggie CrosslandrnTheo Gordon (design)rnCatherine Howe (subscriptions)rnJenna LudinrnKristina RapackirnSamuel Raybone (book reviews)rnJulia Secklehner (subscriptions)rnRachel Strattonrn

External review board

rnSusan Aberth (Bard College)rnLeonard-Daniel Aldea (University of Oxford)rnSimon Baker (Tate)rnDurdja BartlettrnM. Bauduin (Universiteit van Amsterdam)rnJane BradneyrnWolfgang BrücklernMolly Brunson (Yale University)rnCaroline Campbell (The National Gallery, London)rnAnnemarie Weyl Carr (Southern Methodist University)rnJudith Clark (London College of Fashion)rnDavid Peters Corbett (University of East Anglia and Courtauld Institute of Art)rnFinola O’Kane Crimmins (University College Dublin)rnDavid Cunningham (University of Westminster)rnAllison Deutsch (University College London)rnJulien Domercq (National Gallery London)rnMichael Duffy (MoMA, New York)rnHelen Evans (Metropolitan Museum of Art)rnMichelle Foot (University of Edinburgh)rnJacob Gaboury (UC Berkeley)rnRhonda Garelick (University of Nebraska-Lincoln)rnBarbara GatesrnLinda Goddard (University of St Andrews)rnPia Gottschaller (Getty Conservation Institute)rnIsabel Horovitz (The Painting Conservation Studio)rnSarah James (UCL)rnAlexandra Kaczenski (Case Western University)rnSabine Kriebel (University of Cork)rnAngeliki Lymberopoulou (Open University)rnVasileios Marinis (Yale University)rnMalcolm Miles (Plymouth University)rnMartin Myrone (Tate Britain)rnDiana Newall (Open University)rnJeanne Nuechterlein (The University of York)rnAnna Russakoff (American University of Paris)rnWendy Salmond (Chapman University, CA)rnStephanie Schwartz (UCL)rnNat Silver (The Frick Collection)rnFrances Spalding (University of Cambridge)rnCatherine Spencer ( University of St Andrews)rnAnne Rudloff Stanton (University of Missouri)rnJohn Paul Stonard (Burlington Magazine)rnLisa Turvey (Artforum)rnSarah Tyler Brooks (James Madison University)rnJane Tynan (Central Saint Martins)rnSabine Wieber (University of Glasgow)rnBeth Williamson (University of Bristol)rnKim Woods (Open University)rnPeter Zusi (UCL)rnrn 

2015

Editorial Board

rnEva Bezverkhny (editor-in-chief)rnMaria Alessia Rossi (editor-in-chief)rnEdwin CoomasarurnBoris CuckovicrnLily FosterrnTheo Gordon (design)rnThomas HughesrnSamuel Raybone (book reviews)rnJessie RobertsonrnImogen Tedburyrn

External review board

rnSimon Baker (Tate)rnWolfgang BrücklernDr Molly Brunson (Yale)rnCaroline Campbell (The National Gallery, London)rnAnnemarie Weyl Carr (Southern Methodist University)rnDr David Cunningham (University of Westminster)rnMichael Duffy (MoMA, New York)rnHelen Evans (Metropolitan Museum of Art)rnLinda Goddard (University of St. Andrews)rnDr Pia Gottschaller (Getty Conservation Institute)rnIsabel Horovitz (The Painting Conservation Studio)rnSarah James (UCL)rnProf. Malcolm Miles (Plymouth University)rnMartin Myrone (Tate Britain)rnDiana Newall (Open University)rnJeanne Nuechterlein (York)rnDr Wendy Salmond (Chapman University, US)rnDr Stephanie Schwartz (UCL)rnNat Silver (The Frick Collection)rnCatherine SpencerrnJohn Paul Stonard (Burlington Magazine)rnLisa Turvey (Artforum)rnJane Tynan (Central Saint Martins)rnKim Woods (Open University)rnDr Peter Zusi (UCL)rnrn 

2014

Editorial Board

rnMarie Collier (editor in chief)rnTim Satterthwaite (subscriptions)rnHarriette PeelrnLaura SandersrnSam Rose (book reviews)rnLily Fosterrn

External review board

rnSimon Baker (Tate Modern)rnChristina Bradstreet (Sotheby’s Institute of Art)rnJill Burke (University of Edinbugh)rnCaroline Campbell (Courtauld Institute of Art Gallery)rnDavid Cunningham (University of Westminster)rnJames Cuno (J.Paul Getty Trust)rnKerry Downes (University of Reading Emeritus)rnHelen Evans (Metropolitan Museum of Art)rnMechthild Fend (UCL)rnEric Fernie (Courtauld Institute of Art Emeritus)rnSarah James (UCL)rnRichard Johns (National Maritime Museum)rnMark McDonald (British Museum)rnMartin Myrone (Tate Britain)rnGill Perry (Open University)rnJohn Newman (Courtauld Institute of Art Emeritus)rnRichard Taws (UCL)rnGenevieve Warwick (University of Glasgow)rnAndrew Wilson (Tate)rnKim Woods (Open University)rnrn 

2013

Editorial Board

rnHarriette Peel (editor-in-chief)rnEva Bezverkhny (marketing)rnMarie CollierrnJessica EisenthalrnLily FosterrnLydia Hansell  (book reviews)rnMaria Alessia Rossi (subscriptions)rnLaura Sandersrn

External review board

rnSimon Baker (Tate Modern)rnChristina Bradstreet (Sotheby’s Institute of Art)rnJill Burke (University of Edinbugh)rnCaroline Campbell (Courtauld Institute of Art Gallery)rnDavid Cunningham (University of Westminster)rnJames Cuno (J.Paul Getty Trust)rnKerry Downes (University of Reading Emeritus)rnHelen Evans (Metropolitan Museum of Art)rnMechthild Fend (UCL)rnEric Fernie (Courtauld Institute of Art Emeritus)rnSarah James (UCL)rnRichard Johns (National Maritime Museum)rnMark McDonald (British Museum)rnMartin Myrone (Tate Britain)rnGill Perry (Open University)rnJohn Newman (Courtauld Institute of Art Emeritus)rnRichard Taws (UCL)rnGenevieve Warwick (University of Glasgow)rnAndrew Wilson (Tate)rnKim Woods (Open University)rnrn 

2010-12

Editorial Board

rnJocelyn AndersonrnKatie FaulknerrnJacopo GalimbertirnRoo GunzirnJack Hartnellrn

External review board

rnJill Burke (University of Edinburgh)rnCaroline Campbell (The Courtauld Gallery)rnJames Cuno (Art Institute of Chicago)rnAnna Dezeuze (University of Manchester)rnEric Fernie (Emeritus Courtauld Institute of Art)rnDavid Lomas (University of Manchester)rnMartin Myrone (Tate Britain)rnJohn Newman (Emeritus Courtauld Institute of Art)rnAndrew Wilson (Art Monthly)rnMark McDonald (British Museum)rnGenevieve Warwick (University of Glasgow)rnKim Woods (Open University)rnrn 

2008-09

Editorial Board

rnJim Harris (Editor)rnSamuel Elmer (Subscriptions Manager)rnBill Roberts (Editorial)rnPer Rumberg (Design and Typesetting)rn

External review board

rnJill Burke (University of Edinburgh)rnCaroline Campbell (The Courtauld Gallery)rnJames Cuno (Art Institute of Chicago)rnAnna Dezeuze (University of Manchester)rnEric Fernie (Emeritus Courtauld Institute of Art)rnMark Hallett (University of York)rnDavid Lomas (University of Manchester)rnMark McDonald (British Museum)rnMartin Myrone (Tate Britain)rnJohn Newman (Emeritus Courtauld Institute of Art)rnMark McDonald (British Museum)rnAndrew Wilson (Tate Magazine)rnGenevieve Warwick (University of Glasgow)rnKim Woods (Open University)rnrn 

2007

Editorial Board

rnScott NethersolernNoah HorowitzrnJohn-Paul Stonardrn

External review board

rnJill Burke (University of Edinburgh)rnCaroline Campbell (The Courtauld Gallery)rnJames Cuno (Art Institute of Chicago)rnAnna Dezeuze (University of Manchester)rnEric Fernie (Emeritus Courtauld Institute of Art)rnMark Hallett (University of York)rnDavid Lomas (University of Manchester)rnMartin Myrone (Tate Britain)rnJohn Newman (Emeritus Courtauld Institute of Art)rnAndrew Wilson (Tate Magazine)rnGenevieve Warwick (University of Glasgow)

2006

Editorial Board

rnLouise Sørensen (Editor-in-Chief)rnScott Nethersole (Articles Editor)rnNoah Horowitz (Finance)rnJohn-Paul Stonard (design)rn

External review board

rnJill Burke (University of Edinburgh)rnCaroline Campbell (The Courtauld Gallery)rnJames Cuno ( Art Institute of Chicago)rnAnna Dezeuze (University of Manchester)rnEric Fernie (Emeritus Courtauld Institute of Art)rnMark Hallett (University of York)rnDavid Lomas (University of Manchester)rnMartin Myrone (Tate Britain)rnJohn Newman (Emeritus Courtauld Institute of Art)rnMark McDonald (British Museum)rnAndrew Wilson (Art Monthly)

2005

Editorial Board

rnLinda Goddard (Articles Editor)rnNoah Horowitz (Finance)rnLouise Sørensen (Editor-in-Chief)rnJohn-Paul Stonard (design)rn

External review board

rnJill Burke (University of Edinburgh)rnJames Cuno (Art Institute of Chicago)rnAnna Dezeuze (University of Manchester)rnEric Fernie (Getty Research Institute, Los Angeles)rnMark Hallett (University of York)rnDavid Lomas (University of Manchester)rnMartin Myrone (Tate Britain)rnAndrew Wilson (Art Monthly)

2004

Editorial Board

rnGrace BrockingtonrnLinda Goddard (Articles Editor)rnAntony HudekrnAnna Lovatt (Suscriptions)rnCharles Miller (Finance)rnAlexandra MoschovirnLouise Sørensen (Editor-in-Chief)rnJohn-Paul Stonard (design)rn

External review board

rnJill Burke (University of Edinburgh)rnJames Cuno (Art Institute of Chicago)rnAnna Dezeuze (University of Manchester)rnEric Fernie (Getty Research Institute, Los Angeles)rnMark Hallett (University of York)rnDavid Lomas (University of Manchester)rnMartin Myrone (Tate Britain)rnAndrew Wilson (Art Monthly)

Citations