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This beautifully painted dish shows the close ties between painting and pottery in Umbria, central Italy. The image is based on a detail from a painting by Pietro Vannucci, known as Perugino

Dish with one of the Magi

16th century, Italy (Deruta)

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A painting of a sleeping, naked woman sitting in a sensuous pose. She has an elongated face and long dark hair, and her public hair is visible. She leans on a red shape on the right with a blue wall visible behind her.

Female Nude

Amedeo Modigliani

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Thomas Gainsborough (1727-1788), Wooded landscape with herdsman, cows and sheep, 1784-5

Wooded landscape with herdsman, cows and sheep

Thomas Gainsborough

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Bucket of engraved brass with silver inlay, the decoration continuing over the base, 1475-1550

Bucket

Attributed to Zayn al-Din, Northwestern Iran, Turkey, Egypt or Syria, Around 1475-50

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A white bust of Mette, Paul Gauguin’s Danish wife on a plinth

Portrait of Mette Gauguin

Paul Gauguin

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Footed dish with Diana and Actaeon changed into a Stag, Casteldurante, probably workshop of Ludovico and Angelo Picchi, about 1550-60

Footed dish with Diana and Actaeon changed into a Stag

Probably the workshop of Ludovico and Angelo Picchi

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A painting by Paul Gauguin that combines beauty and eroticism with a strong feeling of unease. The young woman is not at rest but anxiously aware of the bird and the strange beings behind her, who may be evil spirits.

Nevermore

Paul Gauguin

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Incense burner of pierced and engraved brass inlaid with silver, with images of the planets within roundels, Mamluk, Syria, 13th century

Incense Burner

Syria (Mamluk Sultanate, 1250-1517), Around 1280-90

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A worn-looking front cover of a manuscript book. The words 'AVANT et après' are seen at the top, and '1903' at the bottom, with 'P Gauguin' in the centre. The text is surrounded by drawings and illustrations, including three masks and details of columns and crests, dotted around the page.

Avant et après (Before and after) 

Paul Gauguin

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This gothic ivory contrasts the tenderness of the Virgin Mary holding the Child with the anguish of the Crucifixion. When the diptych is opened, Mary appears to look directly at her son on the cross

Diptych with the Virgin and Child and the Crucifixion

Paris, 1325-50

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Tile with sunburst, a device of the Gonzaga family of Mantua

Tile with sunburst, a device of the Gonzaga family of Mantua

The workshop of Antonio dei Fedeli, Pesaro

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Thomas-Gainsborough-Portrait-of-Mrs-Gainsborough

Portrait of Margaret Gainsborough

Thomas Gainsborough

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Citations