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This three-panel work, known as ‘The Seilern Triptych’, is one of the finest examples of Northern Renaissance painting. The central panel depicts Christ’s burial, shortly after his body is taken down from the cross (seen in the left wing, where the two thieves executed with him remain).

The Entombment

Attributed to Robert Campin

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A drawing of a richly dressed woman holding a prayer, also wearing a pompom-topped cap with a veil.

Helena Fourment

Peter Paul Rubens

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A touching portrait of the family of the artist Jan Brueghel the Elder (1568-1625) by his close friend and collaborator Peter Paul Rubens

The Family of Jan Brueghel the Elder

Peter Paul Rubens

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A drawing of a seated woman by Henri Matisse. Her frank, challenging expression combine with her soft contours and the sinuous lines of her revealing clothes

Seated Woman

Henri Matisse

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Footed dish with Diana and Actaeon changed into a Stag, Casteldurante, probably workshop of Ludovico and Angelo Picchi, about 1550-60

Footed dish with Diana and Actaeon changed into a Stag

Probably the workshop of Ludovico and Angelo Picchi

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A white bust of Mette, Paul Gauguin’s Danish wife on a plinth

Portrait of Mette Gauguin

Paul Gauguin

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Thomas Gainsborough (1727-1788), Wooded landscape with herdsman, cows and sheep, 1784-5

Wooded landscape with herdsman, cows and sheep

Thomas Gainsborough

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A painting by Paul Gauguin that combines beauty and eroticism with a strong feeling of unease. The young woman is not at rest but anxiously aware of the bird and the strange beings behind her, who may be evil spirits.

Nevermore

Paul Gauguin

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Painting of landscape

 Landscape by Moonlight

Peter Paul Rubens

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A painting of a sleeping, naked woman sitting in a sensuous pose. She has an elongated face and long dark hair, and her public hair is visible. She leans on a red shape on the right with a blue wall visible behind her.

Female Nude

Amedeo Modigliani

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A chair with an embroidered floral seat back and a black seat cushion

Chair with Floral Seat Back

Attributed to Roger Fry (1866–1934) for the Omega Workshops Ltd, embroidered by Winifred Gill (1891–1981) or Vanessa Bell (1879–1961), 1913

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This richly decorated object, called a pax (peace in Latin), was kissed by worshippers at the end of church Mass – a practice called the kiss of peace.

Enamel plaque set in a gilt bronze Pax

Pseudo-Monvaerni Master (active around 1479-1500), 1470-1500

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