Psychoanalysis and American Art - The Courtauld Institute of Art

Psychoanalysis and American Art

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Conference, Research Forum

Psychoanalysis and American Art

The Courtauld Institute of Art, Vernon Square, Penton Rise, London

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  • Keenote: Gregg Bordowitz - Artist; Professor at School of the Art Institute of Chicago
  • Jo Applin - The Courtauld Institute of Art)
  • Whitney Davis - University of California, Berkeley
  • Michael Green - UCL
  • Rye Holmboe - UCL
  • Margaret Iversen - Emeritus, University of Essex
  • Jason D. LaFountain - School of the Art Institute of Chicago
  • Kimberley Lamm - Duke University
  • Levi Prombaum - Guggenheim Museum
  • Christa Robbins - University of Virginia
  • Nicholas Robbins - Yale University
  • Catherine Spencer - University of St. Andrews
  • Theodore Triandos - University at Buffalo
  • Christian Whitworth - Stanford University

Organised by

  • Professor David Peters Corbett - Director, Centre for American Art, The Courtauld Institute of Art
  • Dr. Theodore Gordon - The Courtauld Institute of Art
£21 general admission (£16 students/concessions)

‘…I shall avoid the temptation of entering upon a critique of American civilization; I do not wish to give an impression of wanting myself to employ American methods.’
Sigmund Freud, Civlization and its Discontents (1931).

‘…some intellectuals go so far as to relate the demise of the intellectual community in America to the importation of psychoanalysis.’
Shulamith Firestone, The Dialectic of Sex: The Case for Feminist Revolution (1970)

What is the significance of psychoanalysis to the development of American art and the writing of American art history? What does the importation, exportation and practice of different psychoanalytic theories in the United States tell us about artists, art making and art writing? What does psychoanalysis tell us about artistic relations between Europe and the United States? Does psychoanalysis provide fruitful perspectives on American art made prior to the development of analytic discourse at the beginning of the twentieth century? Are there any specific factors in American art and culture that make psychoanalysis a necessary critical approach for the art historian?

This conference offers a review of the importance of psychoanalysis to the history and historiography of American art, at a moment when theory appears to be on the wane in the humanities and when art history is enjoying a renewed archival turn. As the debates between Rachael Z. DeLue and Bryan Wolf in A Companion to American Art (2015) show, we are still digesting the legacies of psychoanalytic poststructuralism in art historical narratives. This conference asks what psychoanalysis does for, in and with American art and art history today.

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