This lecture will explore the unique challenges and successes encountered in publishing on the arts and architecture of Tibet and the Himalayas within an Indian context. Drawing on her experiences, Trisha de Niyogi will examine the complexities of presenting Himalayan cities and traditional art forms, such as thangkas and Mandalas, to a global audience.
Despite the region’s rich cultural heritage, publications often face hurdles related to academic recognition and funding, especially when compared to the established frameworks found in Western universities. The lecture will examine strategies for navigating these challenges, such as fostering interdisciplinary collaboration and enhancing visibility through digital platforms.
Additionally, the lecture will highlight successful case studies that demonstrate the increasing acceptance of Himalayan art and architecture in scholarly discourse. By sharing insights into this evolving landscape, the speaker aims to contribute to a greater understanding of the significance of Tibetan and Himalayan art, advocating for its rightful place within the broader narrative of global art history.
Trisha De Niyogi is the Chief Operating Officer and Director at Niyogi Books, an independent publishing house based in New Delhi, India. Filled with energy and a strong desire to drive change, she focuses on the cultural heritage of the Indian subcontinent, aiming to promote social reform and contribute to policy-making. At Niyogi Books, she is dedicated to publishing works that advance the appreciation and understanding of art and architecture from the subcontinent. Her goal is to create diverse and impactful publications that resonate not only in India but also around the world.
Organised by Jordan Quill (Phd Candidate, The Courtauld), and supported by Professor Sussan Babaie as part of the series From the Land of Snows: The Art and Material Culture of Tibet and the Himalayas, part of the Trans-Asias Research Cluster.
