The Frank Davis Memorial Lecture Series 2026-27

Migrant Forms: Contemporary Art, Colonial Pasts

Speaker: Professor Saloni Mathur

The drama of human displacement, and the force of the backlash mounted against it, is one of the defining crises of our times. This talk will offer a critical reflection on the space of this crisis and explore its implications for the visual arts.  It will focus, in particular, on contemporary artistic responses to postcolonial migration—arguably the most urgent paradigm for statelessness in the twenty-first century, rooted in the histories of colonization and enslavement and in the geopolitical divide between the global north and south.  Across painting, sculpture, installation, and the layered languages of multi-media practice, I show how artists engage with migration and dispossession not simply as a haunted echo of the past, but as a more recursive, fractured condition in the present animated by the persistence of historical inequalities.

Organised by Elena Crippa (Senior Curator of Contemporary Art) and Leyla Arrianne Bumbra (Head of Research Forum) at The Courtauld.

19 Jan 2027

18:00 -20:00

Free, booking essential

Lecture Theatre 2, Vernon Square Campus

This event takes place at our Vernon Square campus (WC1X 9EW).

Speaker:

Saloni Mathur is Professor of Art History at the University of California, Los Angeles. Her areas of interest include modern and contemporary South Asian art; migration, diaspora, and postcolonial criticism; decolonization and aesthetics; and museum studies in a global frame. She is author and editor/co-editor of five books, including A Fragile Inheritance: Radical Stakes in Contemporary Indian Art, which is available on-line as part of an Open Access initiative with Duke University Press.

Green toned painting of a bar with figures.
Salman Toor (b.1983) Bar Boy, 2019, Oil on plywood, 121.9 x 152 cm, Collection of the Whitney Museum of American Art, New York. © Salman Toor; Courtesy of the artist, Luhring Augustine, New York, and Thomas Dane Gallery. Photo: Farzad Owrang

Citations