Short Courses

Making Sense of Christian Iconography

On campus

i Pieter Bruegel the Elder, Christ and the Woman taken in Adultery, 1565, oil on panel, The Courtauld, London (Samuel Courtauld Trust) © The Courtauld

Dr Federico Botana

Monday 8 – Thursday 11 April 2024 [N.B. this course also runs in the autumn, from Tuesday 10 – Friday 13 September 2024]
£495

Course description

The Virgin Mary, the Nativity of Christ, prophets and saints, the Last Judgement, Paradise and Hell: these subjects have inspired artists to create some of the most outstanding works in the history of art. They all are Christian themes and originate in texts – in the Old Testament of the Jews, the New Testament of the followers of Christ, and in accounts of saintly lives. Well into the eighteenth century and beyond, much of Western art represented Christian themes. To help us understand such art better, this course offers an in-depth introduction to Christian iconography. The main visual themes will be discussed in detail, introducing their textual sources and their underlying doctrinal aspects. Students will learn how these themes were represented in key periods in the history of art, notably in the early Christian, medieval, Renaissance, and Baroque eras. We shall look at paintings, mosaics, stained-glass windows, sculptures, illuminated manuscripts and objects intended for church decoration and the celebration of Christian rites. Historical context, tradition and innovation, and the intended functions of works of art will be addressed.

Morning sessions in the classroom will be complemented by afternoon visits to the National Gallery, The Courtauld Gallery and the Victoria and Albert Museum.

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Monday 8 – Thursday 11 April 2024

£495

Vernon Square 

Citations