Immediations No. 17 (2020) Editorial Read more THOMAS COOPER // Memory and Embodied Experienced in the Embroidery Practice of May Morris Read more JULIE HRISCHEVA // Exodus and Obliteration: Walter Benjamin and The Angel of History in Ori Gersht’s Evaders Read more LACEY MINOT // Beaton Through the Looking Glass: Spectacle, Reflection and Body-Image During the Ashcombe Years Read more ALEVTINA TANU // The Mother of God and Mothers of Kings: Two Examples of Appropriation of Marian Iconography in the Eastern Orthodox World Read more AUDREY WARNE // Staging Sadomasochism: Images of Bondage in Man Ray’s Surrealist Photography, 1929–1932 Read more DR EDWIN COOMASARU // From Millbank Prison to Tate Britain: British Values and Steve McQueen’s Year 3 (2019-2021) Read more DOMINIC DREY-BROWN // Canova | Thorvaldsen: The Birth of Modern Sculpture Read more MAXIMILIANE LEUSCHNER // X6 Dance Space (1976-80): Liberation Notes Read more NADA RAZA // Homelands – Amplifying the Silence Read more ALEXANDRA REYES // An Optical Revolution – and Two More Read more INTERVIEW // Through the Language of the Rococo: In Conversation with Flora Yukhnovich Read more
JULIE HRISCHEVA // Exodus and Obliteration: Walter Benjamin and The Angel of History in Ori Gersht’s Evaders Read more
LACEY MINOT // Beaton Through the Looking Glass: Spectacle, Reflection and Body-Image During the Ashcombe Years Read more
ALEVTINA TANU // The Mother of God and Mothers of Kings: Two Examples of Appropriation of Marian Iconography in the Eastern Orthodox World Read more
AUDREY WARNE // Staging Sadomasochism: Images of Bondage in Man Ray’s Surrealist Photography, 1929–1932 Read more
DR EDWIN COOMASARU // From Millbank Prison to Tate Britain: British Values and Steve McQueen’s Year 3 (2019-2021) Read more
