Immediations volume 4 number 3 (2018) Editorial Read more PETER CRACK // A Renaissance ‘Menu’: Word and Image in a Sixteenth-Century Italian Drawing Read more KYLE LEYDEN // ‘More Patrick’s house than any other’: Parliament House, Bank of Ireland and the Iconography of the Irish Patriotic Project 1728-1810 Read more EMMA MERKLING // ‘The Sensate Body: Consciousness in Albert Moore’s Art’ Read more THOMAS COOPER // A Monstrous Imagining of Matter and Spirit: Robert Brough’s Fantaisie en Folie (1897) Read more INTERVIEW // Bethany Burgoyne Read more OLIVER MITCHELL // The Medieval Calendar: Locating Time in the Middle Ages READ Read more WIKTOR KOMOROWSKI // An Associative Art History: Comparative Studies of Neo-Avant-Gardes in a Bipolar World Read more GENEVIEVE VERDIGEL // The Question of Tintoretto’s Artistic Formation Read more GIULIO DALVIT // Charles I: King and Collector Read more NATASHA MORRIS // Frida Kahlo: Making Her Self Up Read more
KYLE LEYDEN // ‘More Patrick’s house than any other’: Parliament House, Bank of Ireland and the Iconography of the Irish Patriotic Project 1728-1810 Read more
THOMAS COOPER // A Monstrous Imagining of Matter and Spirit: Robert Brough’s Fantaisie en Folie (1897) Read more
WIKTOR KOMOROWSKI // An Associative Art History: Comparative Studies of Neo-Avant-Gardes in a Bipolar World Read more
