Mary Beth Edelson and The Spiral Dance of Goddess and Cyborg
Acaye Kerunen: “Iwang Sawa—In the Eye of Time”
Pain and Politics in Postwar Feminist Art: Activism in the Work of Nancy Spero book launch
Modernism in Ukraine, 1900-1930s: Exhibition Presentation and Book Launch
Gravity is the momentum of feeling: Xin Liu and Joni Zhu in conversation
The second event in the Asymmetry Distinguished Lecture Series, ‘Energies of Attachment: Rethinking Intimacy in contemporary Chinese and Sinophone art’ is a conversation between artist Xin Liu and curator Joni Zhu.
Organised by Dr Wenny Teo, Senior Lecturer in Modern and Contemporary Art, The Courtauld; Michèle Ruo Yi Landolt, Deputy Director, Asymmetry Art Foundation, and Dr Feixuan Xu, Asymmetry Postdoctoral Fellow, The Courtauld. This annual lecture series is generously supported by Asymmetry Art Foundation
Conserving Buddhist stupas and religious nationalism in Sri Lanka
Belatedness and U.S. Exhibitions in Transnational Contexts
Leonor Fini's Witches
Intimate tetherings: Xinyi Cheng and Alvin Li in conversation
For the first event in the Asymmetry Distinguished Lecture Series, “Energies of Attachment: Rethinking Intimacy in Contemporary Chinese and Sinophone Art,” Cheng and Li will discuss the plethora of intimate tetherings that form their world(s), from the relationship between art-making and the imagination of sociality, to the fissures between the private and the public, and the friendship between the artist and the writer/critic. Their discussion will also place a particular emphasis on the practice and medium of painting, and is moderated by Michèle Ruo Yi Landolt, Deputy Director of Asymmetry Art Foundation. Organised by Dr Wenny Teo, Senior Lecturer in Modern and Contemporary Art, The Courtauld; Michèle Ruo Yi Landolt, Deputy Director, Asymmetry Art Foundation, and Dr Feixuan Xu, Asymmetry Postdoctoral Fellow, The Courtauld.
The museum environment in an era of sustainability
Making Modernism in Imperial Germany
Alabaster Sculpture in Europe 1300-1650
Painting Pairs 2022 – 23: Collaborative Research in Conservation and Art History
Painting Pairs presents collaborative research undertaken by graduates in conservation and art history focussing on paintings currently in the conservation studios at the Courtauld. The paintings that form the focus for investigation by each a pair of graduates are from different periods and pose a range of questions related to their history, conservation and display. They will each report on their technical and art historical examination in a 15-20 minute presentation, plus time for questions.
Organised by Professor Aviva Burnstock (The Courtauld), Pippa Balch (The Courtauld) and Dr Karen Serres (The Courtauld).
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