Sicilian Abstraction and Trans-Mediterranean modernism in Italy and beyond (1950s-1970s)
Supervisor: Professor Sarah Wilson
Funded by:
The Consortium for the Humanities and the Arts South-east England (CHASE) (2021-2024)
The Courtauld Scholarship (2020-2021)
Education
2020-2024: PhD candidate, Courtauld Institute of Art
2018-2019: MSt in History of Art and visual Culture, University of Oxford
2014-2017: BA in Philosophy, University College London (UCL)
Publications
Morale, G., ‘From Rome to Rabat: Carla Accardi’s encounters with Moroccan modernism’, Art History 47, no. 3 (June 2024): 432–435.
Morale, G., ‘Unrecorded and Unwritten: Pietro Consagra and Carla Lonzi, 1969’, Sharon Hecker and Teresa Kittler (eds), Art and Intimacy in Modern Italy: Entangled Lives, (London: Bloomsbury, forthcoming)
Research Interests
- Post-war Italian art
- Sicily and the Mediterranean
- North African and Moroccan modernism
- Migration, art and politics
Teaching
Associate Lecturer BA2 Learning from Paris: War, Internationalism, Postmodernism (2023-2024)
Associate Lecturer BA2 Cold War Cultures: Art in a Divided World 1945-1991 (2022-2023)
Teaching Assistant BA2 Frameworks for Interpretations (2021-2022)
Curated Exhibitions
VII Moscow International Biennale for Young Art, Moscow Museum of Modern Art, Moscow, 2020-21