[ONLINE] Travelling Objects, Travelling People: Art and Artists of Late-Medieval and Renaissance Iberia and Beyond, c. 1400–1550 - The Courtauld Institute of Art

[ONLINE] Travelling Objects, Travelling People: Art and Artists of Late-Medieval and Renaissance Iberia and Beyond, c. 1400–1550

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[ONLINE] Travelling Objects, Travelling People: Art and Artists of Late-Medieval and Renaissance Iberia and Beyond, c. 1400–1550

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Anonymous Portuguese cartographer, Cantino Planisphere (detail), ca. 1502. Map on parchment, 220 x 105 cm. Biblioteca Estense Universitaria, Modena, Italy. Source: Wikimedia Commons.

  • Thursday 10 December 2020
    PLEASE NOTE: This Date Has Passed
    1:00 pm - 5:35 pm

    ONLINE EVENT

  • Friday 11 December 2020
    PLEASE NOTE: This Date Has Passed
    1:00 pm - 6:00 pm

    ONLINE EVENT

Speakers include

  • Vanessa Antunes - Universidade de Lisboa
  • Piers Baker-Bates - The Open University
  • Joana Balsa - Universidade de Lisboa
  • Fernando António Baptista Pereira - Universidade de Lisboa
  • Nelleke de Vries - Ludwig-Maximilians-Universität München
  • Kelley Helmstutler di Dio - University of Vermont
  • Caterina Fioravanti - Independent Scholar
  • Bart Fransen - KIK/IRPA
  • Eduardo Lamas Delgado - KIK/IRPA
  • Eva March - Universitat Pompeu Fabra
  • Encarna Montero - Universitat de València
  • Francisco Montes - Universidad de Sevilla
  • Ricardo Nunes - Universidade de Lisboa
  • Elena Paulino - Universidad Complutense de Madrid
  • Alexander Röstel - Bibliotheca Hertziana, Rome
  • Maria Sanz Julian - Universidad de Zaragoza
  • Marco Silvestri - Universität Paderborn
  • Maria Vittoria Spissu - Università di Bologna

Organised by

  • Costanza Beltrami - University of Oxford
  • Sylvia Alvares-Correa - University of Oxford

This is a live online event.  

Please register for more details. The platform and log in details will be sent to attendees at least 48 hours before the event. Please note that registration closes 30 minutes before the event start time.  

If you have not received the log in details or have any further queries, please contact researchforum@courtauld.ac.uk. 

 

Travelling Objects, Travelling People aims to nuance our understanding of the exchanges and influences that shaped the artistic landscape of Medieval and Renaissance Iberia. Traditional narratives hold that late fifteenth-century Iberian art and architecture were transformed by the arrival of artists, objects and ideas from France, the Low Countries, and eventually Renaissance Italy, while 1492 marked a chronological rupture and the beginning of global encounters. Challenging these perceptions, this conference revisits the dynamics of artistic communication in late medieval Iberia, placing the peninsula in a global network, from Flanders to Florence, from Madeira to Santo Domingo. Bringing together contributions from international scholars working on Spain, Portugal and a range of related geographies, this event seeks to address the impact of ‘itinerant’ artworks, artists and ideas, and to investigate moments of encounter, conflict, and non-linear transfers of materials, techniques and iconographies.  

PROGRAMME:  

Day 1 – Thursday 10th December (1.00pm – 5.35pm) 

Opening remarks  

1.15pm Panel 1: Nexus Objects– Chair: Susie Nash (The Courtauld) 

Bart Fransen (KIK/IRPA), Two Fragments from the Predella of Juan de Flandes’ Altarpiece for the University Chapel in Salamanca 

Alexander Röstel (Bibliotheca Hertziana, Rome) and Caterina Fioravanti (Independent Scholar), Lorenzo Ghiberti, Rodrigo Borgia and the Cradle of the Iberian Renaissance: The Retrochoir and Chancel of Valencia Cathedral in the Fifteenth Century  

Francisco Montes (Universidad de Sevilla), The Jamuga of Cortés. An Islamic Throne Chair for the Conquest of Mexico 

Discussion 

Break  

2.55pm Panel 2: Transmission and Image Chains  – Chair: Costanza Beltrami (University of Oxford)

Encarna Montero (Universitat de València): Recomposing and Reframing the Northern Influence in Aragonese Painting ca. 1400: the Hazardous Case of Marçal de Sas

Maria Sanz Julian (Universidad de Zaragoza), Original, Copies and Iconographic Traces in Illustrated Books at the End of the Middle Ages 

Nelleke de Vries (Ludwig-Maximilians-Universität München), Portable Passion. The Dissemination of Martin Schongauer’s Artistic Inventions in Spain 

Discussion

Break  

4.35pm Keynote – Chair: Sylvia Alvares-Correa (University of Oxford) 

Fernando António Baptista Pereira (Universidade de Lisboa), Importing Painting, Sculpture and other artistic objects from the Low Countries to Madeira during the Cycle of the ‘White Gold’ 

 

Day 2 – Friday 11th December (1.oopm – 6.00pm) 

Welcome  

1.05pm Panel 3: Not All Those Who Wander Are Lost  – Chair: Nicola Jennings (The Courtauld)

Piers Baker-Bates (The Open University), ‘In the Spanish Fashion’: Iberian Artists Travelling in Italy 1450–1550 

Eduardo Lamas Delgado (KIK/IRPA), Looking for Italy in Castile: the Iberian Career of Willem van Santvoort, a Netherlandish Assistant of Alonso Berruguete 

Marco Silvestri (Universität Paderborn), Family Ties and Diffusion of Architectural Knowledge: Migration, Networks and the Establishment of Two Sixteenth-Century Spanish Stonemasons in Latin America 

Discussion  

Break 

2.45pm Panel 4: Stones Don’t Move  – Chair: Tom Nickson (The Courtauld) 

Joana Balsa (Universidade de Lisboa), Ricardo Nunes (Universidade de Lisboa), All Saints’ Hospital in Lisbon: Artistic Exchanges in the Context of Hospital Architecture in the Renaissance 

Elena Paulino (Universidad Complutense de Madrid), Negotiating the American space: Travelling Artists and Local Elites in the Architectural Configuration of Santo Domingo at the End of the Fifteenth Century 

Kelley Helmstutler di Dio (University of Vermont), Labor, Transportation and Technological Systems of Sculpture Exchange in Early Modern Europe  

Discussion

Break 

4.25pm Panel 5: Reconsidering Influence  – Chair: Giuseppe Marcocci (University of Oxford) 

Vanessa Antunes (Universidade de Lisboa), Travelling from Flanders to Portugal Via Techniques and Materials: the Portuguese Copy of the Painter Jorge Afonso to Quentin Metsys’s Painting The Angel Appearing to Saints Clara, Colette and Agnes

Eva March (Universitat Pompeu Fabra), The Itinerancy of Jan van Eyck’s Models: (Re) Creating Images of Power in Late Medieval Catalonia 

Maria Vittoria Spissu (Università di Bologna), A Missing Ring in the Iberian Marian Atlas: Transferring the Cult of the Seven Sorrows from the Habsburg Netherlands to Mediterranean Kingdoms in the Early Modern Age 

Discussion  

Closing remarks 

 

This event is supported by the Society for Renaissance Studies

 

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