In recent years, the analysis of social networks has generated a fruitful field of scholarly enquiry. Research addressing the dynamics that govern personal relationships within and without communities of various kinds has permeated through historical, anthropological, and sociological studies. These investigations have traced the ways in which societies structured according to gender, family bonds, and neighbourhood ties as well as political, professional, and religious associations regulated social interaction. However, the role of art and architecture in cultivating these interpersonal relationships has not been explored comprehensively. Even art historical approaches have frequently given preference to textual rather than visual evidence in elucidating these social networks.
This conference seeks to shed light on the ways in which social networks have been represented visually. Such an approach has great potential to deepen the discussion surrounding the commission, production, and reception of art and architecture between 1400 and 1600.
This conference is generously sponsored by the Sackler Research Forum, Courtauld Institute of Art, the Consortium for the Humanities and the Arts South-East England (CHASE), and the Society for Renaissance Studies.
PROGRAMME
9.00 – 9.30 REGISTRATION
9.30 – 9.45
Welcome: Alexander J. Noelle (The Courtauld Institute of Art)
9.45 – 11.10 Session 1: Materialising Allegiance
Chaired by Suzanne Duff (Brown University)
Ann Adams (The Courtauld Institute of Art)
Perpetual Membership: The Fifteenth-Century Tombs of the Knights of the Order of the Golden Fleece
Sara Frier (Yale University)
So sah ich als Soldat aus (‘This is how I looked as a soldier’): The Mercenary-Artists of Renaissance Switzerland
Anna Merlini (The Courtauld Institute of Art)
A Journey through the Labyrinth of Symbols: Retracing a Social Network across Achille Bocchi’s Symbolicae Quaestiones (1555)
Discussion
11.10 – 11.35 TEA /COFFEE BREAK (provided for all, in Seminar room 1)
11.35 – 13.00 Session 2: Civic Art
Chaired by Imogen Tedbury (The Courtauld Institute of Art)
Maria Harvey (The University of Cambridge)
‘ + Eνταυθα εστιν η καππελλα τ[ης] … α[γιας] Kατ[ερινας]’: Art and Community in Fifteenth-Century Salento
Saida Bondini (The Courtauld Institute of Art)
A History of Families: Networks of Private Patronage in Late Fifteenth-Century Bologna
Maria Matarazzo (Scuola Normale Superiore di Pisa)
The Plinian Monuments in Como: Classical Antiquity as Municipal Identity
Discussion
13.00 – 14.00 LUNCH BREAK (provided for speakers and chairs only)
14.00 – 15.25 Session 3: Artist(ic) Identity
Chaired by Lydia Goodson (The Warburg Institute)
Elizabeth Bernick (John Hopkins University)
Mapping Cesare da Sesto: A Placeless Style
Wouter Wagemakers (University of Amsterdam)
Visualising Patterns of Patronage in Sixteenth-Century Verona: Michele Sanmicheli and the Roman Connection
Luca Baroni (Scuola Normale Superiore di Pisa)
Urbino to Europe: Federico Barocci’s Artistic and Diplomatic Network as Visualised in His Paintings
Discussion
15.25 – 15.50 TEA /COFFEE BREAK (provided for all, in Seminar room 1)
15.50 – 17.15 Session 4: Visualising Dynasties
Chaired by Bart van Eekelen (Utrecht University)
Anastazja Grudnicka (University College London)
The (Un)Making of the Habsburg Dynasty: Visual Representations of Matthias Habsburg in the Dutch Provinces (1577-1581)
Rebekah Helen Lee (University of York)
By the Book: Dynastic and Corporal Network Building in the Arenberg Family Portrait Album circa 1600
Marina Porri (Universities of Florence, Siena, and Pisa)
Marriage Portraits as Political Networking: The Medici Court at the End of the Sixteenth Century
Discussion
COMFORT BREAK
Closing Remarks: Alexander Röstel (The Courtauld Institute of Art)
17:45 – 18:45
Keynote Address: Prof. John Padgett (University of Chicago)
Networks in Renaissance Florence
18.45 – 20:00 RECEPTION
