2 – Dürer in Renaissance Venice
Online
Course 2 – Summer School online
Monday 3 – Friday 7 June 2024
Dr Richard Williams
£395
Course description
Albrecht Dürer’s journey to Venice encapsulates an extraordinary moment of cultural cross-fertilisation that has shaped our understanding of Renaissance art. In Venice the German artist encountered a new artistic world of colour and the depiction of light. In turn, Dürer was a celebrated figure in Italy through his graphic work that exerted a profound influence across the visual arts.
This course will study Dürer’s life and work by exploring the wider relationship between German and Venetian art. It will examine Italianate influences on Dürer and his contemporaries but also consider rival native traditions seen in the works of Cranach and Grünewald. Interpreting these tensions within German art has driven the last five hundred years of historiography. Art historians have often presented Dürer either as a progressive internationalist or as embodying a nationalistic spirit. Reviewing how successive generations have reinvented Dürer for their own times can inform how we see and understand him today.
How to book
To book your chosen course(s) please use the book now button below and you will be taken to our booking system where you can book and pay (Visa / Mastercard / GooglePay / ApplePay).
At checkout, you will be prompted to login (if you have previously booked gallery tickets) or to register and create a new account.
(Please note: this ticketing login is not the same as your short courses VLE login if you have one).
Once you have made your selection, your chosen course(s) will be added to your shopping basket which has a timer of 20 minutes, after which time your basket will be cleared and you will need to start again. The timer starts from when you put an item in the basket (not when you login or register).
If you have any questions please email us at short.courses@courtauld.ac.uk
Lecturer’s biography
Dr Richard Williams completed his doctorate at The Courtauld and was awarded a post-doctoral fellowship by Yale University. Following this he was a specialist in Northern Renaissance art in the art history department at Birkbeck, University of London. More recently he has been appointed Learning Curator at the Royal Collection and is based at Windsor Castle and Buckingham Palace. His published research focuses on art in England and other regions of Northern Europe in the sixteenth century.