Thesis: Woven Complexity: Understanding the textiles represented at the Burgundian Court, c.1420-c.1470
Supervisor: Professor Susie Nash
In my research project I examine the cultural perception and expanding applications of textiles in fifteenth-century Europe. Today, the material degradation of fibre and the paradigm of post-industrial textile production reduces awareness of weaving’s meaning, materiality and technique. In the Burgundian-Valois Court, I argue, buyers and makers were engaged in the design practices and typologies of imported Italian and ottoman textiles. Surviving representations of textiles and a wealth of court inventories can be used as valuable tools to reconstruct the lost value of cloth. No study has approached the representation of cloth at the Burgundian court specifically despite its notoriety as the court that spent and spoke the most on textiles. The research aims to foster richer understanding of how we see such textiles today, contextualise cloth in museum collections, and develop discourses that comment on post-industrial production.
2020 – ongoing: PhD, The Courtauld Institute of Art
2013-2018: Fine Art MA, Edinburgh University, First Class Honours
Autumn 2021: The Courtauld Institute of Art, Teaching Assistant and Teaching Assistants Coordinator, Foundations lecture series (BA1)
2021-21: Palaeography (Institute of Historical Research)