Thomas Gainsborough (1727-1788), Wooded landscape with herdsman, cows and sheep, 1784-5
Thomas Gainsborough (1727-1788), Wooded landscape with herdsman, cows and sheep, 1784-85, The Courtauld, London (Samuel Courtauld Trust) © The Courtauld

Wooded landscape with herdsman, cows and sheep

Thomas Gainsborough

Landscapes offered Gainsborough the chance to explore his interest in drawing and love of the countryside. If as a portraitist he was obliged to flatter and obey the sitter’s requests, in drawing landscapes his artistic freedom was liberated Towards the end of his life, he wrote to a friend of his desire to retire to “some sweet village, where I can paint Landskips”. However, his career kept him in London until his death.  

He constructed imaginary landscapes by grouping small stand-ins, such as coal for rocks and broccoli for trees, in rhythmic compositions. As he described, figures like the herdsman were placed “to create a little business for the eye to be drawn from the trees in order to return to them with more glee”.  

You might also like

screencap of virtual tour

Gallery Virtual Tours

Explore each floor of The Courtauld Gallery with our virtual tours. Zoom in to look closely at masterpieces from our remarkable collection, from individual brush strokes to the texture of the paint....

See all Collections Highlights

Explore The Courtauld’s remarkable collection of paintings, prints and drawings, sculpture and decorative arts.

Button
Two men sit across from each other at a table covered with a brown tablecloth, playing cards. Both men wear overcoats and hats, and the man on the left smokes a pipe. They sit inside a wooden building. i Paul Cézanne (1839-1906) The Card Players, around 1892-96, The Courtauld, London (Samuel Courtauld Trust)

Citations