Contact us about Summer School
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+44 (0)203 947 7650
Monday to Friday excl. UK bank holidays and institutional closure days
10:00-13:00; 14:00-17:00 [London time]
- Short Courses 2024
- Spring and Autumn Courses
- Autumn Courses
- Spring Courses
- Spring Courses online
- Spring Courses on campus
- Looking at ourselves: A historical and practical exploration of portrait photography
- Making Sense of Christian Iconography
- Making Sense of ‘The Classical’ in Art
- “The Root of Everything”: Drawing in Europe from the Renaissance to the Modern Period
- Course delivery – Spring and Autumn Courses on campus
- Summer School
- Summer School online
- 1 – Pagans, Christians and the Art of Late Antiquity
- 2 – Dürer in Renaissance Venice
- 3 – NEW – Heroines: Depicting Famous Women in Italian Renaissance Art
- 4 – The Fear and the Fury: Abstract Expressionism
- 5 – Carlo Crivelli and his Contemporaries: An Alternative History of Italian Renaissance Painting
- Course Delivery – Summer School online
- Summer School on campus
- 6 – Newly Added – Illuminating the Middle Ages: Interactions with Medieval Manuscripts
- 7 – NEW – Re-Imagining the Everyday: Genre Paintings and Prints in Sixteenth- to Eighteenth-Century Europe
- 8 – Travelling Light: Turner, Constable and the Shape of British Art
- 9 – NEW – Collectors, Exhibitions and Art Dealers: Modern Art in Europe 1863-1920
- 10 – Unruly Britannia: The Brit Art Renaissance of 1945-1970
- 11 – Venezianità: The Art of Being Venetian in the Fifteenth and Sixteenth Centuries
- 12 – Constructing the Heart of Empire: London’s Public Architecture
- 13 – Idealists, Realists and the Avant-Garde: The Battle for Nineteenth-Century French Painting
- 14 – Fantasies Reframed: Orientalism and its Contexts
- 15 – Visions of Utopia in German Modernist Art, 1905-1925
- 16 – The Byzantine World: The Arts in the East Roman Empire from the Fourth to the Fifteenth Centuries
- 17 – Beyond Artemisia: Italian Women Artists in the Long Seventeenth Century
- 18 – NEW – Rococo to Revolution: French Art and its Geographical Contexts, 1700-1789
- 19 – Power, Politics and Architecture: Palaces and Gardens in Mughal South Asia
- 20 – NEW – After Impressionism: Routes into Early Modernism
- 21 – The Palladian Model: Variations on an Ideal
- 22 – A Society of Spectacle: Seeing and Being Seen in Eighteenth-Century Venice
- 23 – Fathers of Modern Art: Manet and Cézanne
- 24 – NEW – The Ancient Maya: Millennia of Art and Architecture of a Rainforest Civilisation
- 25 – A Nervous State of Affairs: Art in Vienna, 1880-1938
- Contact us about Summer School
- Summer School online
- Showcasing Art History
- Study Tours
- Evening Study at The Courtauld
- The Long Road to Success: Giulio Romano between Rome and Mantua 2024
- Making Sense of Ideas on Art: A Course in Art Theory, c.1800-c. 2000
- From Life: Representing Nature in Northern European Art, 1500-1750
- Women Artists in France, 1770-1914
- Russian Art 1863-1932: Innovations, Influences and the Roots of Modernity
- Variations on a Theme: The Renaissance in Art and Music
- NEW – Magnificent Women: Elite Female Agency and the Arts of Medieval Europe
- NEW – Intersecting Practices: Architecture and the Figurative Arts in Early Modern Italy
- Holbein at the Court of Henry VIII
- The Long Road to Success: Giulio Romano between Rome and Mantua
- Course delivery – Evening Study Autumn and Winter Online 2024/25
- NEW – The Long Road to Success: Giulio Romano between Rome and Mantua
- Open Event
- Saturday Study
- Short Courses Terms and Conditions
- Frequently Asked Questions
- About the Short Courses Team
- Spring and Autumn Courses