The Courtauld Gallery is home to one of the greatest collections of art in the UK and an annual programme of focused exhibitions, displays and contemporary commissions. All housed in a beautiful human-sized gallery at Somerset House.
The Courtauld Institute is a research-led, independent college of the University of London, offering world–renowned programmes in the history, conservation, curation and business of art.
We care for an outstanding art collection, advance the study and conservation of visual art, and share it through acclaimed exhibitions. Your support helps us inspire new ways of seeing and thinking about art.
...Unlike contemporary fashion exhibitions, Mirror Mirror exposes what lies beyond – or beneath – clothing itself, disrupting and surpassing visitor expectations. The viewer is first confronted with Dirk Van Saene’s...
...thousands of children across the UK, and compelling exhibitions both nationally and internationally. Helen Higgins, Oak Foundation Young People’s Programme Manager “The Oak Foundation’s continued commitment to my post has...
...Gallery in London, as Head of Exhibitions from 1996, and Acting Director, 2005/6, and acted as Programme Advisor for Two Temple Place from 2011-2020. His interests include modern and contemporary...
...Komorowski addressing broad methodological and geographic issues from the Middle Ages to the twentieth century. Reviews of recent exhibitions include the once-in-a-lifetime show at the Royal Academy, Charles I: King...
...teaching, inspiring exhibitions and programmes, and the stewardship of our collections. In support of this and of its charitable aims, The Courtauld seeks to maintain relationships with a wide group...
...Temporary exhibitions If you book a ticket to attend any of our temporary exhibitions, the following additional terms and conditions apply: You may not attend any ticketed temporary exhibition before...
...welcomed scholars from the old eastern block countries to participate in joint conferences, exhibitions and publications. In doing so he helped to set an agenda for a pan-European history of...
...many other key projects including a £1.65 m acquisition campaign, numerous capital projects, education, conservation and the Ashmolean’s world-class exhibitions programme. Her experience spans developing and growing Membership groups including...
...in 1935. The first decades of the twentieth century saw an outpouring of literary and artistic creativity in London. Through exhibitions in 1910 and 1912, Fry introduced the British public...
...(1924), timed to begin as major exhibitions and events take place across the world. Resistance and the image are its main themes, placing emphasis on the path taken by Surrealists...
