Dr Tom NicksonSenior Lecturer in Medieval Art & Architecture
I was educated at Cambridge and The Courtauld, and taught at the University of York for three years before returning to The Courtauld in 2012. My research and teaching fall broadly into two categories: gothic art and architecture across Europe, and encounters between Christian, Islamic and Jewish traditions, especially in medieval Iberia. Many of these issues were addressed in my first book, Toledo Cathedral: Building Histories in Medieval Castile (2015), and I am now working on a new book, Architecture in Medieval Spain: Seven Moments, which will explore architecture across the Iberian Peninsula (including Portugal and al-Andalus) from the twelfth to the fifteenth century.
I am also developing two additional projects. The first is an investigation of material culture in relation to the cult of St Thomas Becket, in preparation for the anniversary of his death and translation in 2020. The second considers the management and significance of light and darkness in medieval art and architecture.
- I am on sabbatical in 2018/19
- Costanza Beltrami, ‘Juan Guas (active 1453-1496) and the ‘Hispano-Flemish style in late medieval Castile’ (due 2019)
- Maeve O’Donnell-Morales, ‘The Altar in Medieval Castile: a Social and Material History’ (2018)
- Sophie Dentzer, ‘Decorative Vaults in Fourteenth-Century England’ (2016)
- Matilde Grimaldi, ‘The Lost Romanesque Cathedral of Tortosa (Catalonia)’ (2016)
- The spread of Gothic architecture in medieval Europe and technologies of architectural transmission.
- 19th– and 20th-century architectural criticism and revivalism.
- The cult of St Thomas Becket.
- Church furnishings and inventories.
- Epigraphy and orality.
- The reception of Islamic art and architecture in medieval Europe.
- Architecture and light.
- Antiquarianism in Early Modern Spain.
Books and edited books
- Toledo Cathedral: Building Histories in Medieval Castile. Penn State University Press, December 2015.
Essays and articles
- ‘Simulacra and Seriality: Spanish Renaissance Sculpture‘. Special issue of the Hispanic Research Journal, eds T. Nickson, M. Trusted and J. Schrader, 16: 5 (October 2015).
- ‘The Sound of Conversion in Medieval Iberia’. Resounding Images: Medieval Intersections of Art, Music, and Sound, eds S. Boynton and D. Reilly (2015), 91-107.
- ‘Remembering Fernando. Multi-lingual inscriptions in medieval Iberia’. Viewing Inscriptions in the Late Antique and Medieval World, ed. A. Eastmond (2015), 170-186′.
- ‘Sovereignty Belongs to God: Text, Ornament and Magic in Christian and Islamic Seville‘, Art History 38: 5 (2015), 838-61.
- ‘Texts and Talismans in Medieval Castile’. Art in Translation 7: 1 (2015): 9-38
- Picturing Kingship in Medieval Castile. eds T. Nickson and K. Donahue-Wallace. Special 2012 issue of the Hispanic Research Journal, with papers from a conference organised in York in July 2011.
- ‘Copying Córdoba? Toledo and Beyond‘. The Medieval History Journal 15, no. 2 (2012): 319–354.
- ‘The First Murder: Picturing Polemic c. 1391‘. The Hebrew Bible in the Fifteenth Century: Exegesis, Literature, Philosophy, and the Arts, eds Jonathan Decter and Arturo Prats, (2012): 41–60.
- ‘Reframing the Bible: Genesis and Exodus on Toledo Cathedral’s Fourteenth-Century Choir Screen’. In Gesta 50, no. 1 (January 2011): 71–89.
- ‘Art and Belief in Medieval Castile’. Spiritual Temporalities in Late-Medieval Europe, ed. M. Foster, (2010): 99–126.
- ‘La Catedral: su Historia Constructiva’. La Catedral Primada de Toledo, ed. R. Gonzálvez, (2010): 148–161.
- ‘The Locked-Up Garden. Art and Nature in Medieval Castile’. Immediations 2, no. 2, (2009): 19–29.
- ‘The Royal Tombs of Santes Creus: Negotiating the Royal Image in Medieval Iberia‘. Zeitschrift für Kunstgeschichte 72, no. 1, (2009): 1–14.
- ‘Moral Edification at Gonville and Caius College, Cambridge‘. Architectural History 48, (2005): 49–68
- Rose Walker, Art in Spain and Portugal from the Romans to the Early Middle Ages. Routes and Myths, in Journal of the British Archaeological Association, 2017, forthcoming.
- Paul Binski, Gothic Wonder: Art, Artifice and the Decorated Style, 1290-1350, in Art History, 39: 1, 2016, pp. 152-155.
- Jacqueline Jung, The Gothic Choir Screen, in The Medieval Journal, 14.1, 2014, pp. 139-141.
- Pamela Patton, Art of Estrangement. Redefining Jews in Conquest Spain, in Studies in Christian-Jewish Relations, 8.1, 2013.
- Christabel Watson, The Romanesque Cathedral of Santiago de Compostela: A Reassessment, in Journal of the British Archaeological Association, 163, 2010, pp. 182-185.