Sophie Guo is an Associate Lecturer in Modern and Contemporary Asian Art at The Courtauld Institute of Art. She specialises in contemporary art from China and its diasporas within transnational and global contexts. Her current research project examines how biotechnology and advanced biomedicine shape artistic imaginaries around the body, gender, race, and ecology within transnational Sinophone cultures from the late 1980s to the present. She teaches a range of topics spanning the twentieth and twenty-first centuries in East Asian art histories for undergraduate and master’s students. Key subjects and themes of her teaching include: Chinese avant-garde, feminist and queer art histories, art and technology, art in globalisation, contemporary Asian art and the ‘New Silk Road.’
She has participated in conferences organised by the Association for Art History and the European Association for Chinese Studies and has delivered invited talks at institutions including Chisenhale Gallery, Zabludowicz Collection, Princeton University, OCAT Beijing, and City University of Hong Kong. She is a member of the British Art Network of the Paul Mellon Centre.
Education
- PhD History of Art, The Courtauld Institute of Art
- MA History of Art, University College London
- BA History of Art, University College London
Teaching
- MA ‘Global China: Contemporary Chinese Art and Infrastructure’, 2024/25
- BA2 Beyond the Great Wall: Mapping Contemporary Art on the ‘New Silk Road’ 2024/25
- BA3 ‘Body, Space and Power in Contemporary Chinese Art’ 2024/25
- BA3 Lessons in Critical Interpretation 2022/23
- Spring 2020: Guest Lecturer, Global China (MA)
- Autumn and Spring term 2019: BA 2 Frameworks for Interpretation
Selected Publications
- Technology of the Self: Cerebral Subject and the Buddhist Mind in LuYang’s Fantastical Work (book chapter in preparation)
- ‘Home(sickness),’ on Chris Zhongtian Yuan’s solo exhibition at Tabula Rasa Gallery, 2024
- ‘Art after Pandemic: Reimagining Virus in Pei-Ying Lin’s Virophilia‘, in Séagh Kehoe, Gerda Wielander (eds.) 2022. Cultural China 2021: The Contemporary China Centre Review (University of Westminster Press (UWP))
- Dis(Embodying) Biomolecular Sex: The Lapse of Identity in Jes Fan’s Hormone Works (2017-2018), The Courtauld’s Gender and Sexuality Research Group, 2020
- ‘Doubting Sex: Examining the Biomedical Gaze in Lu Yang’s Uterus Man (2013)’, immediations. No. 17, 2020
- ‘Gender in Chinese Contemporary Art’, Tate Research Centre: Asia, 2018
Research Interests
- Contemporary art and visual culture
- Gender, sexuality, and race
- Feminist and queer technoscience
- Visual medical humanities
- Contagion, disease, and immune system discourses
- Sinophone studies, colonial histories, postcolonial theory, and globalisation
- Parafiction
Conferences and Other Events
- ‘A Women’s Sutra: Han Mengyun in Conversation with Ashley Thompson‘, The Courtauld Institute, 3 February 2025
- Co-organiser, ‘The Open Mesh of Possibilities: Examining the Queer Potential of Textiles in Art. Sarah Zapata and LJ Roberts in Conversation, moderated by Dr. Joseph McBrinn,’ in partnership with the Barbican Art Gallery, The Courtauld Institute of Art, 13 May, 2024.
- ‘Violent Intimacy: A Minoritarian Semiotics of Contamination in Jes Fan’s Work.’ Energies of Attachment: Mapping Intimacy across Art, Science and Ecology, The Asymmetry International Symposium 2023, 1 December 2023.
- Session Co-convenor, Viral Images: Art and Contagion. 2022 Annual Conference, Association for Art History.
- Panel Discussion: Neti Neti, Zabludowicz Collection, 2022
- Co-organiser, ‘A History of Future Contagion’: Candice Lin and Neel Ahuja in conversation, The Courtauld in partnership with Spike Island, Bristol, 14 March 2022.
- ‘Contagious Bodies: Epidemic Imaginaries and the Making of Queer Kinship in the Works of Candice Lin and Jes Fan,’ Princeton Art & Archaeology Graduate Symposium. 2022.
- ‘Performing a Viral Future: Immune Ecologies, Animacies, and the Making of the Microbial Body in Pei-Ying Lin’s Virophilia (2018-ongoing).’ Embodying Local Knowledges Critical Ecologies Symposium. Organised by Wanwu Group (City University of Hong Kong) and Taipei National University of the Arts. 13 November 2021.
- Panel co-convenor. Japanese Art in the Ecological Predicament: Collaborations in the Age of Crisis. EAJS conference, Ghent, 25-28 August 2021.
- Gallery talk in response to Yu Ji’s exhibition Wasted Mud, Chisenhale Gallery, 26 June 2021.
- ‘Performing a Viral Future: The Making of the Microbial Body and the Situated Knowledge of Virus in Pei-Ying Lin’s Virophilia (2018-ongoing)’, Rethinking Human-Nonhuman Entanglements Online Workshop, Université de Montréal, 27 March 2021.
- ‘Palaeontology of the Present: “The Roots of Life” in Li Shan’s Genetic Art’, Third Year PhD Symposium (The Courtauld Institute of Art), October 2020
- ‘Doubting Sex: Examining the Biomedical Gaze in Lu Yang’s UterusMan (2013)’, Dimensions of the Modern: Exploring Critical Approaches (The Courtauld Institute of Art), June 2019
- Co-organiser, ‘Wording Art History: Negotiating the Global and the Local’, Modern and Contemporary Postgraduate Colloquium at The Courtauld Institute of Art, 17 March 2018
- ‘With or without nature?- Ecological criticism in Wen-ying Tsai’s Cybernetic sculpture system’, 2018 EACS conference, University of Glasgow
Other Activities
- Research Associate, Barbican Art Gallery, 2022-2023
- Editorial Board, immediations, the peer-reviewed postgraduate journal of the Courtauld Institute of Art, 2019
- Research Assistant to Dr Wenny Teo, Senior Lecturer in Modern and Contemporary Asian Art