Sophie Guo is an art historian and curator specialising in modern and contemporary Chinese and global art and visual culture, with a particular focus on the intersections of art, medicine, and biopolitics across translocal and transhistorical contexts. Her research examines how biotechnology and advanced biomedicine have shaped artistic imaginaries around the body, gender, sexuality, race, and ecology within postcolonial Sinophone cultures from the late 1980s to the present. Her wider research interests include the visual medical humanities and feminist and queer technoscience; socialist and post-socialist engagements with art and biotechnology; biosurveillance, disease narratives, and art in Hong Kong and Taiwan; and the politics of contagion, hygiene, and colonial medical archives in visual culture.
She teaches across twentieth- and twenty-first-century East Asian art histories at both undergraduate and master’s levels. Key subjects and themes in her teaching include the Chinese avant-garde, feminist and queer art histories, art and technology, art and globalisation, as well as contemporary art and the ‘New Silk Road’.
She has participated in conferences organised by the Association for Art History and the European Association for Chinese Studies and has delivered invited talks at institutions including Chisenhale Gallery, Princeton University, Université de Montréal, OCAT Beijing and City University of Hong Kong. With Professor Ari Heinrich, she is co-editing a special issue titled ‘Objects of Contagion: Biohazards, Toxicity, and the Politics of Hygiene on Display in Modern and Contemporary Art in Asia and Its Diasporas’ for the Journal of the Society for Asian Humanities.
Education
- PhD History of Art, The Courtauld Institute of Art
- MA History of Art, University College London
- BA History of Art, University College London
Teaching
- MA ‘Global China: Contemporary Chinese Art and Infrastructure’, 2024/25
- BA2 Beyond the Great Wall: Mapping Contemporary Art on the ‘New Silk Road’ 2024/25
- BA3 ‘Body, Space and Power in Contemporary Chinese Art’ 2024/25
- BA3 Lessons in Critical Interpretation 2022/23
- Spring 2020: Guest Lecturer, Global China (MA)
- Autumn and Spring term 2019: BA 2 Frameworks for Interpretation
Selected Publications
- ‘Friendship as Method, Friendship as Form: Evelyn Taocheng Wang’s Imitation of Agnes Martin’, essay for the Wolfgang Hahn Prize publication, Museum Ludwig, Cologne (forthcoming, January 2026)
- ‘Jes Fan’, artist profile, Burlington Contemporary, 14 February 2025
- ‘Home(sickness),’ on Chris Zhongtian Yuan’s solo exhibition at Tabula Rasa Gallery, 2024
- ‘Art after Pandemic: Reimagining Virus in Pei-Ying Lin’s Virophilia‘, in Séagh Kehoe, Gerda Wielander (eds.) 2022. Cultural China 2021: The Contemporary China Centre Review (University of Westminster Press (UWP))
- Dis(Embodying) Biomolecular Sex: The Lapse of Identity in Jes Fan’s Hormone Works (2017-2018), The Courtauld’s Gender and Sexuality Research Group, 2020
- ‘Doubting Sex: Examining the Biomedical Gaze in Lu Yang’s Uterus Man (2013)’, immediations. No. 17, 2020
- ‘Gender in Chinese Contemporary Art’, Tate Research Centre: Asia, 2018
Research Interests
- Contemporary art and visual culture
- Gender, sexuality, and race
- Feminist and queer technoscience
- Visual medical humanities
- Contagion, disease, and immune system discourses
- Sinophone studies, colonial histories, postcolonial theory, and globalisation
- Parafiction
Conferences and Other Events
- ‘A Women’s Sutra: Han Mengyun in Conversation with Ashley Thompson‘, The Courtauld Institute, 3 February 2025
- Co-organiser, ‘The Open Mesh of Possibilities: Examining the Queer Potential of Textiles in Art. Sarah Zapata and LJ Roberts in Conversation, moderated by Dr. Joseph McBrinn,’ in partnership with the Barbican Art Gallery, The Courtauld Institute of Art, 13 May, 2024.
- ‘Violent Intimacy: A Minoritarian Semiotics of Contamination in Jes Fan’s Work.’ Energies of Attachment: Mapping Intimacy across Art, Science and Ecology, The Asymmetry International Symposium 2023, 1 December 2023.
- Session Co-convenor, Viral Images: Art and Contagion. 2022 Annual Conference, Association for Art History.
- Panel Discussion: Neti Neti, Zabludowicz Collection, 2022
- Co-organiser, ‘A History of Future Contagion’: Candice Lin and Neel Ahuja in conversation, The Courtauld in partnership with Spike Island, Bristol, 14 March 2022.
- ‘Contagious Bodies: Epidemic Imaginaries and the Making of Queer Kinship in the Works of Candice Lin and Jes Fan,’ Princeton Art & Archaeology Graduate Symposium. 2022.
- ‘Performing a Viral Future: Immune Ecologies, Animacies, and the Making of the Microbial Body in Pei-Ying Lin’s Virophilia (2018-ongoing).’ Embodying Local Knowledges Critical Ecologies Symposium. Organised by Wanwu Group (City University of Hong Kong) and Taipei National University of the Arts. 13 November 2021.
- Panel co-convenor. Japanese Art in the Ecological Predicament: Collaborations in the Age of Crisis. EAJS conference, Ghent, 25-28 August 2021.
- Gallery talk in response to Yu Ji’s exhibition Wasted Mud, Chisenhale Gallery, 26 June 2021.
- ‘Performing a Viral Future: The Making of the Microbial Body and the Situated Knowledge of Virus in Pei-Ying Lin’s Virophilia (2018-ongoing)’, Rethinking Human-Nonhuman Entanglements Online Workshop, Université de Montréal, 27 March 2021.
- ‘Palaeontology of the Present: “The Roots of Life” in Li Shan’s Genetic Art’, Third Year PhD Symposium (The Courtauld Institute of Art), October 2020
- ‘Doubting Sex: Examining the Biomedical Gaze in Lu Yang’s UterusMan (2013)’, Dimensions of the Modern: Exploring Critical Approaches (The Courtauld Institute of Art), June 2019
- Co-organiser, ‘Wording Art History: Negotiating the Global and the Local’, Modern and Contemporary Postgraduate Colloquium at The Courtauld Institute of Art, 17 March 2018
- ‘With or without nature?- Ecological criticism in Wen-ying Tsai’s Cybernetic sculpture system’, 2018 EACS conference, University of Glasgow
Other Activities
- Research Associate, Barbican Art Gallery, 2022-2023
- Editorial Board, immediations, the peer-reviewed postgraduate journal of the Courtauld Institute of Art, 2019