A sample of my recent publications indicates the range of my research interests: Seen from Behind: Perspectives on the Male Body and Renaissance Art (Yale University Press, 2018); “Dangerous Liaisons: Compromising Positions and Provocative Allusions in Bronzino’s Martyrdom of St. Lawrence,” Studiolo (2023); “Happy beyond the common dream”: The Uncommon Celebrity of Raphael’s ‘Madonna della Seggiola’ (London: National Gallery Publications, 2023); “Michelangelo’s Monkey and the Melancholy of Death” in Sculpter à la Renaissance: un art pour (é)mouvoir, ed. Marc Bormand et al. (Milan: Officina Libreria; 2024); “Fortune’s Forelock: Francesco Salviati’s Occasional Wit,” Colnaghi Studies Journal (2024). My specialist area is Renaissance art, but I define that area very broadly chronologically and conceptually. I am presently working on forms of ethnic description and discrimination found in paintings by Titian.