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Ornate George II silver tea kettle with an ornate stand and handle

Tea Kettle with Stand

Samuel Courtauld I (1720–1765), 1748–49

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Black charcoal drawing on yellow paper, with rough abstract pencil strokes. Two clear shapes are seen in the marks - on the left, more circular forms, and on the right, more controlled, linear, and vertical. A vivid yellow splash is visible behind the circular form.

P1958-58

Hans Hartung (1904-1989)

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A half-bear, half-bull creature with its insides visible and three crows on its back, stands near a baby on fissured ground. To the left is a man hanging from a tree, with many pylons seen in the distance. Inside the creature are words reading 'serious' and reasonable' in the stomach, 'objective' in the heart, 'common sense' in the spine', 'important' in the lungs, 'prudent' in the anus, 'wise' and 'rational' in the bowel, and 'logical' in the windpipe.

Animal Spirit

Grayson Perry

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Claude Lorrain (1600-1682), Study for 'The Arrival of Aeneas at Pallenteum', 1675

Study for 'The Arrival of Aeneas at Pallenteum'

Claude Lorrain

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A watercolour drawing of Peterborough Cathedral, showing the intricate decorative details, and a close, off-centre viewpoint from the west. A man is seen sitting on one of the column bases, and a group of three or four people are standing talking nearby.

Peterborough Cathedral from the west front

Thomas Girtin

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Professor Lynda Nead

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Picture of Jasmine Clark

Jasmine Clark

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Marv Recinto

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Exhibition, Exhibitions, The Courtauld Gallery, What's on Highlights

Louise Bourgeois: Drawings from the 1960s

20 Jun - 14 Sep 2025

This focused display will present a group of drawings by Louise Bourgeois from the 1960s.

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A drawing of a Young Woman with long hair reclining on a chaise lounge, propping up her head with her hand

Online, Public Programmes, Short Courses, Showcasing Art History

Re-Framing: Modern and Contemporary Art by Women 1870s to Today

On campus: Tuesday 23 April – Tuesday 21 May, Online: Wednesday 1 May – Wednesday 29 May

Based on selected case studies drawn from relevant exhibitions, our lectures explore some of the theoretical and curatorial approaches underpinning the framing and staging of the work of women in the visual arts.

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a painting of tractors and men in blue overalls

27. The Embodiment of Communist Utopia: Socialist Realism in Slovakia, 1948–1956

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print of figure surrounded by flowers and plants

The Magazine Formiści and the Early International Contacts of the Polish Avant-Garde (1919–1921)

Przemyslaw Strożek

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