Remarkable forgeries originally thought to be masterpieces by artists including Sandro Botticelli, Pieter Bruegel the Elder, John Constable and Auguste Rodin are now on display at The Courtauld Gallery, as part of a new display of fakes from its collection.
Featuring around 25 drawings and 7 paintings, as well as sculpture and decorative art, from The Courtauld’s collection – many on public view for the first time – the display tells the fascinating stories behind the creation of these works and the discovery of their deception.
Some known forgeries were given to The Courtauld, the first institution in the UK to teach art history and conservation, to help its students learn from them. Other works were the pride of the collectors who donated them to the Gallery, only to be later revealed as fakes through close looking, technical examination or research into their history.
For example, the authenticity of a seascape allegedly painted by John Constable, which came to The Courtauld from the artist’s family, remained unquestioned until Courtauld experts discovered a watermark in the paper reading “184-”, indicating that it dated from the 1840s and therefore after the artist’s death in 1837.
Another striking forgery is a Virgin and Child, once thought to be a masterpiece by Botticelli but unmasked as a fake by the Virgin’s resemblance to a 1920s film star and the detection of modern pigments.
Fakes in art are nothing new: forgeries of drawings by Pieter Bruegel the Elder began appearing shortly after his death in 1569, in response to demand for his work. The display includes an elaborate example by Bruegel’s enterprising younger contemporary Jacob Savery.
The forgers themselves have become figures of notoriety: a Courtauld professor returned from service in the Second World War with a painting by Han van Meegeren, who famously went on trial for selling fake Vermeers to the Nazi elite. The infamous British forger Eric Hebborn is also represented, with a drawing he boasted about twice in his memoir. He further claimed that hundreds of his fakes in the style of masters such as Peter Paul Rubens and Anthony van Dyck remain to be uncovered.
The display takes place in the Gilbert and Ildiko Butler Drawings Gallery and the Project Space, and runs from 17 June – 8 October 2023. The programme of displays in the Gilbert and Ildiko Butler Drawings Gallery is generously supported by the International Music and Art Foundation, with additional support from James Bartos.
Art and Artifice: Fakes from the Collection
The Courtauld Gallery
17 June – 8 October 2023
Included with Gallery Entry.
courtauld.ac.uk/whats-on/art-and-artifice-fakes-from-the-collection/
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