Joseph Stannard’s Yarmouth Sands (1829) and the Predicaments of Painting - The Courtauld Institute of Art

Joseph Stannard’s Yarmouth Sands (1829) and the Predicaments of Painting

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Material and Social Histories: In Dialogue with David Solkin

Joseph Stannard’s Yarmouth Sands (1829) and the Predicaments of Painting

The Courtauld Institute of Art, Somerset House, Strand, London

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  • Monday 8 February 2016
    PLEASE NOTE: This Date Has Passed
    6:00 pm - 7:00 pm

    Research Forum Seminar Room, The Courtauld Institute of Art, Somerset House, Strand, London, WC2R 0RN

Speaker

  • Sarah Monks - Lecturer, University of East Anglia

Organised by

  • Professor Katie Scott - The Courtauld Institute of Art

Bold, simple, bright and identifiably modern, Joseph Stannard’s Yarmouth Sands packs a remarkable visual punch.  Through a close reading of this painting and its productive context (in Norwich, home to the first recognisable ‘art world’ in Britain beyond London), this paper will consider the ways in which artworks and their practitioners register the weight of the expectations placed upon them during moments of social and economic instability.  In turn, this paper will consider the challenges that such a localised study of painting and its context might offer to the social history of art as a means of understanding art’s historical predicament more broadly.

Sarah Monks teaches art history at the University of East Anglia.  She is the author of Framing Space, Power and Modernity: Marine Painting in Britain, 1650-1850 (forthcoming), and has edited volumes on the Royal Academy of Arts, Anglo-American artistic exchanges and British art in India.  She is currently completing a second book entitled Transported Subjects: British Art and Global Experience in the Eighteenth Century, and is planning another on British and American art 1800-1840.

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