The Garden at War: Deception, Craft and Reason
Stowe House, Buckingham
Saturday 8 July 2017
10:30 am - 6:00 pm
Registration for the conference from 11.00
State Music Room, Stowe House, Buckingham, MK18 5EH
Get Directions Add to Calendar 08/07/2017 10:30 am 08/07/2017 6:00 pm 36 The Garden at War: Deception, Craft and Reason Event at The Courtauld State Music Room, Stowe House, Buckingham MK18 5EH Courtauld firstname.lastname@example.org false DD/MM/YYYY
- Joseph Black: (Courtauld MA 2016)
- Aganippe Arts
Ticket / entry details:£16.50 (plus Eventbrite booking fee)
Lunch available for extra £5, and catalogue for an addtional £5Book Now
Bringing together world-leading academics, art-historians, and contemporary artists, The Courtauld Institute of Art and Aganippe Arts present a day-long symposium held at Stowe House to open the exhibition The Garden at War. The collaborative event aims to provide a forum for exploring issues and ideas raised by the exhibition on the development and relevance of Stowe and its history of neoclassicism. The primary strand of inquiry which informs the symposium concerns the use of the gardens at Stowe as a collaborative art-form. Looking at Stowe in this manner it is possible to read its design through a number of different frameworks; from the influence of the classical world, to the work of conceptual artists like Ian Hamilton Finlay, to the French landscape paintings of Nicolas Poussin and Claude Lorrain.
The symposium inaugurates a new initiative that puts the significance of art-history into context and opens up its accessibility to a wider audience through public facing dialogue. It also highlights a newly published collection of essays presented in the exhibition catalogue, available for a limited reduced price for symposium attendees to pre-order.
The idea of the garden, as something more than a pleasant retreat, inevitably evokes the eighteenth-century gardens of Stowe in Buckinghamshire. This was a time of classical revival, when the prevailing cultural attitude was to reform the world based on venerated classical ideals. The enlightenment provided a cultural environment which called for a form of art suited to this ‘Age of Reason’. The proponents of such a movement saw in the potential of the garden a symbolic embodiment of civilisation and of man’s relationship to nature. The garden suggested a lost Arcadia, a stage for philosophical thought, and just as irrationality may be conquered and turned to logical reasoning so too the wild forces of nature may be brought into quite alignment.
This is the use of the garden as metaphor. In its principles of balance and symmetry the neoclassical gardens of Stowe create a visual equivalent of coherent thought. Stowe isn’t a garden of flowers or shrubs; it’s a garden of ideas.
This symposium aims to consider the gardens at Stowe as a site of conflict between order and disorder by examining a range of architectural, poetic, and artistic production. It brings together new explorations from leading experts on the fundamental nature of artistic collaboration to the production of a garden design. In doing so we may reflect that all artistic production exists within an intricate and complex web of relations and influences; both contemporary, historical, and experiential. In this way the garden can be read as a reflection of the society from which it is born and that in which it continues to exist.
Aganippe Arts has organised this symposium alongside the University of Edinburgh’s conference on the 13/14 July 2017, ‘Ian Hamilton Finlay; Little Fields, Long Horizons’.
Disabled access can be booked in advance.
Find out more about the exhibition The Garden at War
To find out how to get to Stowe and how to book exhibition tour, visit stowe.co.uk/house
Symposium pass £16.50
Access to the full day of talks including the evening panel discussion. This ticket allows access to Stowe House and the exhibition, including two free tours of Stowe House and Gardens which will be led by members of the Stowe House Preservation Trust. Catering for tea, coffee, and lunch will be available courtesy of Stowe House.
+ exhibition catalogue £5 (optional)
Access to the full day of talks including the evening panel discussion as available with the standard ‘Symposium pass’ entrance. This ticket allows access to Stowe House and the exhibition, plus a copy of the exhibition catalogue retailing at £10.00. (Catalogue will be provided to holders of this tickets upon arrival at Stowe House on 8th July)
This can be added to your ticket at the checkout on Eventbrite.
+ Lunch £5.00 (optional)
Lunch and refreshments will be provided by Stowe House. Buy in advance or pay on the day. All dietary requirements will be catered for.
This can be added to your ticket at the checkout on Eventbrite.
10:30 – 11:00 Optional Tours of Stowe House
11:00 – 11:30 Registration and tea/coffee
11:30 – 12:00 Welcome and opening by conference chair
12:00 – 12:30 James Cahill
12:30 – 13:00 Dr. Joy Sleeman
13:00 – 14:00 Lunch Break
(available from Stowe House)
13:30 – 14:00 Optional Tours of Stowe Gardens
14:00 – 14:45 Joseph Black
14:45 – 15:30 Patrick Eyres
15:30 – 16:00 Prof. Stephen Bann
16:00 – 17:45 Break
17:45 – 18:00 Panel Discussion
Joseph Black and Antoine Espinasseau in conversation
18:00 Closing by conference chair
Emeritus Professor of History of Art at the University of Bristol. Published multiple writings on the work of Ian Hamilton Finlay. Contributor to The Garden at War publication.
Abstract; ‘Gardens Great and Small: Finlay and Shenstone’
Contemporary artist and Senior Curator of The Garden at War programme
James Cahill is a writer and critic. He has recently embarked on a PhD at Cambridge University focusing on the impact of classical mythology on contemporary art.
Contemporary French artist and architect exhibiting work at the The Garden at War exhibition
Director of the New Arcadian Press. Published multiple writings on neo-classicism, garden and landscape design, and the work of Ian Hamilton Finlay
Abstract; ‘Neoclassicism on Active Service; 18th century gardens and imperial warfare in the work of Ian Hamilton Finlay.’
Reader in Art History and Theory and Faculty Graduate Tutor at the Slade School of Fine Art. Writer on the work of Ian Hamilton Finlay, land-art, and contributor to The Garden at War publication