Medieval and Renaissance
Course 1 – Illuminating the Middle Ages: Interactions with Manuscripts
Course 5 – The Merchants of Lucca: Art, Patronage and Luxury, 1300-1500
Course 9 – Art for the Friars in Early Renaissance Italy
Course 10 – Van Eyck at the Burgundian Court
Course 13 – A World in Pieces: Medieval Mosaics
NEW Course 17 – Carlo Crivelli and His Contemporaries: A Different Perspective on Fifteenth-Century Italian Art
NEW Course 21 – Gothic Images: The Art of Magnificence, 1200-1500
NEW Course 22 – Acquisition and Assimilation: The Italians and Early Netherlandish Painting
Course 25 – Might and Munificence: Court Patronage in Renaissance Ferrara, Mantua, Rimini and Urbino
Course 29 – Venetian Painting in an Age of Crisis: Late Titian, Tintoretto, Veronese and their Contemporaries
Course 30 – Words and Images: The Power of Faith in the Age of Reformation and Counter-Reformation
The 16th, 17th and 18th centuries
Course 2 – Collections and Marketplaces: The Business of Art in Italy, 1500-1700
Course 6 – The Art of the Sultans: Ottoman Art and Architecture
NEW Course 14 – Women Artists in France, 1770-1914
Course 15 – Travelling Light: Turner, Constable and the Shape of British Art
Course 18 – The Baroque and its Rebels: Propaganda and Dissent in seventeenth-century Rome
Course 30 – Words and Images: The Power of Faith in the Age of Reformation and Counter-Reformation
Course 31 – Global Britain: Painting, Print Culture and Patronage, c. 1700-1800
Modernity and the 19th and 20th centuries
Course 3 – The Art of Weimar Germany: Modernity in the Balance
Course 7 – ‘Modern Painters’: British Art and Modernity, 1848-1900
NEW Course 8 – American Museum, Global Modernism: The Museum of Modern Art in the World, 1929-1959
Course 11 – Russian Art 1863-1932: Innovations, Influences and the Roots of Modernity
NEW Course 14 – Women Artists in France, 1770-1914
NEW Course 16 – Fantasies Reframed: Orientalism and its Contexts
NEW Course 19 – A Nervous State of Affairs: Art in Vienna, 1880-1938
Course 23 – Idealists, Realists and the Avant-Garde: The Battle for Nineteenth-Century French Painting
Course 27 – Fathers of Modern Art: Manet and Cézanne
Contemporary Art
NEW Course 4 – Faith, Fashion, Fairy Tales: Contemporary South Asian Art and the Gender Revolution
Course 20 – Contemporary Chinese Art: Practices and Debates from 1989 to the Present
Non-Western art
NEW Course 4 – Faith, Fashion, Fairy Tales: Contemporary South Asian Art and the Gender Revolution
Course 6 – The Art of the Sultans: Ottoman Art and Architecture
Course 20 – Contemporary Chinese Art: Practices and Debates from 1989 to the Present
Museology and methodologies
NEW Course 8 – American Museum, Global Modernism: The Museum of Modern Art in the World, 1929-1959
Course 12 – Looted Art: An Introduction to Nazi Spoliation, Provenance Research and Restitution
NEW Course 14 – Women Artists in France, 1770-1914
NEW Course 16 – Fantasies Reframed: Orientalism and its Contexts
NEW Course 32 – Decolonising the Museum: International Perspectives on Colonial Legacies, Representation and Repatriation