i Bowl with Bahram Gur and Azada, late 12th - 13th century, The Metropolitan Museum of Art, New York, metmuseum.org

Making Sense of the Arts of Islam

Dr Natasha Morris

Delivered online
Monday 13 – Friday 17 September 2021
£195

A few places remain on this course; to book, please email short.courses@courtauld.ac.uk

Course Description

This course introduces students to key works and topics surrounding the arts and architecture of the Islamic world, which has been a burgeoning area of interest for scholarship, museums, galleries, auction houses and collectors.

From Spain to India, from monumental buildings such as the Dome of the Rock to the Taj Mahal, and from luxury objects of utility (such as ceramics, metalwork, glass and textiles) to paintings and the arts of the book, each lecture and object-focused discussion session spotlights a defining aspect of the study of the arts in the cultures of Islam.

We shall explore the arts from the birth of Islam in the seventh century, through the ‘Golden Ages’ of the medieval period and rocky ‘modernities’, to the present day. In challenging the preconceptions that surround ‘Islamic Art’ today, this course addresses the unique social and political contexts belonging to the often much misunderstood art of the Islamic world.

Recorded lectures will be followed by object-led interactive seminar sessions that highlight the rich holdings of Islamic Art in London’s public museums and galleries, including those at the Victoria & Albert Museum and the magnificent Albukhary Gallery of the Islamic World at the British Museum, as well as exploring treasures from private collections and museum collections more globally.

A bowl with image of two people on horseback hunting
Bowl with Bahram Gur and Azada, late 12th - 13th century, The Metropolitan Museum of Art, New York, metmuseum.org

Lecturer’s Biography

Dr Natasha Morris is currently Myojin-Nadar Project Curator – Modern Middle Eastern Art at The British Museum and an Associate Lecturer in the Arts of Islam and Iran at The Courtauld. An alumna of The Courtauld (BA, MA, PhD), she has also taught at UCL, and has written on the arts of Iran for a number of publications including The GuardianThe Burlington Magazine and Time Out. Natasha is the author of a number of exhibition catalogues on contemporary artists from the Middle East and was co-author of Honar: The Afkhami Collection of Modern and Contemporary Iranian Art (Phaidon, 2017) and Reflections: Contemporary art of the Middle East and North Africa (British Museum, 2020).

Further information

Citations