summer school 2010
Courses on non-Western art
Week 3: 26-30 July 2010
NEW COURSE
Course 18: Dr Meri Arichi
Japanese Buddhist Art and its Contexts from the sixth to the 18th centuries: an Introduction
£420
Buddhism was introduced to Japan in the sixth century from China via Korea. The Nihonshoki, the oldest surviving history of Japan, states that in the year 552 the King of Korea sent an envoy to Emperor Kinmei of Japan with gifts of Buddhist scripture, ritual paraphernalia, and a gilt bronze statue of the Buddha. This passage indicates that images played an important role in propagating the faith from the earliest stage. The adoption of Buddhism by the ruling class encouraged the building of temples, the creation of images, and encouraged the study of Buddhist doctrine in Japan. The establishment of new sects during the medieval period resulted in the diversification of Buddhist teaching. The styles of architecture, sculpture and paintings reflect the different emphasis placed by each school. Over the centuries Buddhism exerted a profound influence on the formation of Japanese culture, and the rich heritage of Buddhist art surviving in many temples and museums today provide valuable glimpse into the history and society in Japan. This course will examine works of art dating from the sixth to the 18th century, and consider the doctrinal, philosophical, and social contexts in which Buddhist art functioned in Japan.
Week 4: 2-6 August 2010
Course 33: Dr Rose Kerr
The Development and World Influence of Chinese Porcelain
£420
Thin-bodied, white, translucent porcelain was first made in China around AD600, more than one thousand years before its fabrication in the West. How was this sophisticated material discovered, and how did it develop? This course looks at geological and technical issues affecting manufacture, as well as economic, social and historical factors that influenced the growth and spread of kilns. Porcelain in China was used at court, and certain forms and designs were reserved for imperial use. By contrast, mass-produced items were shipped around the world starting in the ninth century AD, and had a significant effect across Asia, in the Middle East and Europe. The course includes visits to the ceramic galleries at the Victoria & Albert Museum, and the Percival David Collection Gallery in the British Museum.
