In the press

 

Alberto Giacometti, critical essays, ed J. Kelly, P. Read, Ashgate Press

 

Published

 

2008 :

`From Monuments to fast cars: aspects of Cold War art, 1946-57’ Cold War Modern, Jane Pavitt and David Crowley eds. Victoria  & Albert Musem, 2008 

`La bataille des “humbles”? Communistes et Catholiques autour de l’art sacré’, Mélanges Bruno Foucart,  Paris, Editions Norma  (English version)

`The Sacred, the Profane and the Secret in the work of Niki de Saint Phalle’, Niki de Saint Phalle, Tate Liverpool, 2008

Traces du sacré: Humanism and the ‘Man of Sorrows’ in postwar European art

See ‘L’Homme douleureux’, Traces du Sacré, Musée Nationale d’Art Moderne, Centre Georges Pompidou,  2008

2006

‘Pierre Klossowski, epiphanies and secrets’,   Pierre Klossowski, ed. Sarah Wilson,    Whitechapel Art Gallery and Hatje Cantz, pp 13-29

 

‘Germaine Richier, disquieting matriarch’ Sculpture Journal,  December, pp 51-70

 

2005

‘Poststructuralism', Companion to Contemporary Art since 1945, ed. Amelia Jones, Oxford, 2005 Blackwell Companions to Art History, pp. 424-449.

 

`Rites of Passage: Myriam Bat–Yosef and Performance’, Myriam Bat-Yosef, Paintings           Objects, Performances, ed. Fabrice Pascaud,  Paris, Editions Somogy (bilingual) pp. 92-107

 

2004

 ‘A German artist in Coventry: Jochen Gerz, The Future Monument, The Public Bench' Vivian Lovell ed., ‘The Phoenix Project' London, Black Dog Publishing, pp. 84-99

 

‘The Song of Ruth', Ruth Francken, Sprengel Museum, Hannover (bilingual)

 

‘Axell: One+One' Evelyne Axell, from Pop Art to Paradise, Paris, Editions Somogy (bilingual) pp.23-40

 

2003

Cocktail Rancillac /Rancillac Cocktaill', Bernard Rancillac, Paris, Editions Somogy pp.8-49

 ‘Inzest, Travestismus, Maskerade. Zu den Performances und Installationen von Michel Journiac',  Mannlichkeit als Maskerade. Gender Studien mit blick auf ‘den' Mann, ed.    Claudia Benthien, Berlin, pp. 128-153

 

2001

‘Zofia Kulik, from Warsaw to Cyberia', Centropa, vol.1, 3, Sept, pp. 233-244

 

‘Haute surveillance, Haute couture’, Franko B. Oh Lover boy, London, Black Dog Publishing

 

1999

‘Erro,  l'extase matérielle', Erro, images du siècle, Paris, Galeries Nationales du Jeu de Paume, Buenos Aires np.

 

1998

Editor’s introduction & ‘Postmodern romantics / Romantiques postmodernes', in Jean-François LyotardThe Assassination of Experience by Painting - Monory, ed. Sarah Wilson, London, Black Dog Publishing, pp. 12-17, 21-81.

 

1997

‘Feminities/ Mascarades,'Rrose is a Rrose is a Rrose: Gender Performance in Photography, New York, Solomon R, Guggenheim Museum,  pp. 135-155.

`Paule Vézelay', Dictionary of Women Artists, London, Fitzroy Dearborn, 1997

 

1996

‘Réalismes sous le drapeau rouge' Face à l'histoire, Paris, Centre Georges Pompidou, 1996, pp. 244-251.

 

‘Rembrandt, Genet, Derrida', Critical Introductions to Art: Portraiture, Manchester University Press, ed. Joanna Woodall, 1996, pp. 203-216.

 

 ‘L'Histoire d'O, Sacred and Profane', Orlan, London, Black Dog Publishing, 1996, pp. 8-17.