Volume 2 | Issue 3 | 2010

Monsters lifting a stone slab)

 

immediations, the first research journal to come out of The Courtauld Institute of Art since its inception in 1932, publishes innovative research across the entire span of art history: from classical antiquity to the present day. Reflecting the strong research record of the Institute, immediations approaches the history of art from a wide range of perspectives and expertise, accommodating close reading of individual works of art and architecture, as well as broad theoretical issues.


In this issue:


 'Mere Gothique heaps of stone'?
Uses and Abuses of the 'Gothic' in James Ralph's Critical Review
Owen Hopkins

Melancholy and Memory in the Work of Dante Gabriel Rosetti
 Lucetta Johnson

1870-71. Peredvizhniki:
Whats in a Name?
 Andrey Shabanov

'Byzantine Art in Islamic Garb'?
Christian Influences in an image of The Birth of Mohammad
Kate Blessington

 

 

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immediations Editorial Board 2010


Jocelyn Anderson
Katie Faulkner
Jacopo Galimberti
Roo Gunzi
Jack Hartnell


External Review Board


Jill Burke (University of Edinburgh)

Caroline Campbell (The Courtauld Gallery)

James Cuno (Art Institute of Chicago)

Anna Dezeuze (University of Manchester)

Eric Fernie (Emeritus Courtauld Institute of Art)

David Lomas (University of Manchester)

Martin Myrone (Tate Britain)

John Newman (Emeritus Courtauld Institute of Art)

Andrew Wilson (Art Monthly)

Mark McDonald (British Museum)

Genevieve Warwick (University of Glasgow)

Kim Woods (Open University)


Subscription


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immediations
The Courtauld Institute of Art
Somerset House
Strand
London WC2R 0RN

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Full Page: £650

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Submission


immediations welcomes articles from current and recent postgraduate students at the Courtauld Institute. Please view the submission guidelines for information on how to submit.

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Email immediations@courtauld.ac.uk for further information.