Painting Pairs: Art History and Technical Study - The Courtauld Institute of Art

Painting Pairs: Art History and Technical Study

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Conservation and Technology

Painting Pairs: Art History and Technical Study

The Courtauld Institute of Art, Somerset House, Strand, London

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Figures in a Landscape by Valckenburgh (Private Collection)
The Raising of Lazarus, after Palma il Giovane (Nottingham Castle Museum)
La ferme Californie, possibly by Boudin
Two Figures by Albert Adams

Organised by

  • Prof. Aviva Burnstock: The Courtauld Institute of Art
  • Dr Elisabeth Reissner: The Courtauld Institute of Art
  • Dr Karen Serres: The Courtauld Institute of Art
Open to all, free admission

Attendees can come to just one or all of the presentations.

This is the second of two presentations by this year’s Research Associates. Four pairs of Research Associates, each composed of a graduate student from the department of Conservation and Technology and one studying art history, or curating, are investigating paintings from private and regional collections. They will each report on the findings of their technical and art historical examination in a 20-minute presentation, followed by a short discussion.

12.00 – 12.30 Katherine Waldron paired with Zoe Mercer-Golden working on Figures in a Landscape by Valckenburgh (Private Collection)
12.30 – 13.00 Virginia Nouwen paired with Kathryn Walter working on La ferme Californie, possibly by Boudin
13.00 – 13.30 Alexandra Lawson paired with Alexandra Coutavas working on Two Figures by Albert Adams
13.30 – 14.00 Edward Battle paired with Stephanie Wisowaty working on The Raising of Lazarus, after Palma il Giovane (Nottingham Castle Museum)

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